Editor, Denmark
Nils Pagh Andersen
Born in 1958 Niels Pagh Andersen started his career as an assistant to two of Denmark’s most important editors: Christian Hartkopp and Janus Billeskov Jansen. Since 1979 he has worked as a freelance film editor and has cut more than 250 films of widely different categories.
Editing Lecturer, Germany
Stephan krumbiegel
Born in 1964 in Stuttgart. After becoming an engineer for media equipment he started his professional career as co-director and editor on a feature documentary about aid projects in West Africa. For several years, he worked as a freelance production manager and set coordinator on several feature fiction films.
director and Producer, Czech Republic
Miroslav Janek
Born 1954 in Nachod, Czech Republic where he wrote, directed and produced nearly forty short films. He also worked as a film editor for the Czechoslovakian Television before immigrating to the United States in 1979. Settling down in Minneapolis, he began working as a freelance film editor and cameraman.
Editor, France
Catherine Rascon
Editor since 1983. Trained from film to video in all types of editing, short, long, experimental, musical and animation but mainly creative documentary films. Member of Varan Workshops, training for documentary filmmakers in the line of Direct Cinema. Workshops in Paris, Venezuela (2003), Portugal (2004-2006) and Vietnam (2005). Teacher at La Fémis. Member of École et Cinéma.
Director of photography, Germany
Peter Badel
Born in 1953 in Berlin, he studied cinematography at Film & Television Academy in Potsdam Babelsberg. He was a director of photography in the DEFA Studios for Motion Pictures, and since 1992 he is a freelancer. Additionally, he gives symposia of cinematography and teaches at various academies.
Documentary Filmmaker, Finland
Susanna Helke
Member of the European Film Academy, Research Associate (visiting filmmaker/scholar) at the University of California Santa Cruz Film and Digital Media Department 2007-2008. She received a three-year (2007-2009) Finnish Cultural Foundation grant awarded for practice-based research exploring the use of documentary methods in fictional film. The project combines filmmaking and theoretical writing.
Executive Producer and Author, UK
Clare Paterson
Has worked for all the major television channels; a diverse range of programming - popular entertainment: format shows, pop docs (Half Ton Mum; Cars, Cops and Bailiffs), serious, thought-provoking documentary films about matters of social relevance (drugs, pregnant teens, homophobia, prisons, etc.).


