Panorama

A cinematic conjuring: Ante Zlatko Stolica uses horror film tropes to recall childhood fears triggered by a woman from his grandmother’s village.

In this existentialist animated folly, figures suffering from the absurd wander through a good dozen laconic momentary miniatures, looking for what can’t be found: meaning.

For the over eighty-year-old Vakho, the ice-covered mountainous region in the Georgian Caucasus is a self-chosen exile – out of deeply felt guilt about the death of his brother.

Absent-minded everyday routines at the “White Horse” café overlap with daydreams and sound loops, until reality loses the ground beneath its feet.

A rural life in western Serbia that demands the utmost from Dragica. Cows need to be milked, tomatoes harvested. The daily tasks leave almost no time to pause