DOK Industry Projects 2022

DOK Industry Projects 2022


Browse the film projects presented at DOK Industry 2022.

See the selection of our Co-Pro Market, the Preview rough-cut presentations, the XR conference DOK Exchange, and the short film pitch Short n’ Sweet.

Co-Pro Market

Preview Germany

Preview Training

Short n’ Sweet

Exchange XR Showcase

The avatar of a man in a wheelchair in a digital environment. The man wears a VR headset.
Brecht into the Metaverse by Alternative Virtual Architect Alliance

Lenn Blaschke, Katharina Haverich 


A prison cell where the floor is covered with cans and black garbage bags.
Eco Resilients XR

Jonathan Álvarez 

Global Films Media Productions, Aluvión Zoo 
Panama, Argentina

A room in black-and-white where a person sits on a couch that is covered with a blanket.
Fresh Memories

Volodymyr Kolbasa, Ondřej Moravec 

Brainz Immersive
Czech Republic, Ukraine

An elongated room with white tiles on the walls and black floor, illuminated by pink points of light.
Liminal Spaces

Lui Avallos 

Mundivagante Studio 
Brazil, Portugal

A collage: in the background a postcard of a historic cruise ship in front of a big city skyline. In front below five playing cards with king, queen and three jacks.

Sam Butin 


A drawing with five figures: in front a woman with a flower in her hair, around her four men with straw hats. All of them carry a flame in their hands and look straight ahead.
Pueblo Santo: A Cumbia Trip

María Cecilia Reyes 

Producer: Laura Casadiego 
Colombia, Italy, Spain

Want to know more what our DOK Industry Programme has to offer? Visit our DOK Industry page or stay up to date with our Industry Newsletter!

DOK Industry is realised with the support of Creative Europe MEDIA Programme of the European Union, the Mitteldeutsche Medienförderung (MDM) and the Federal Government Commissioner for Culture and the Media upon a Decision of the German Bundestag.

Funded by the European Union. Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or the MEDIA sub-programme of Creative Europe. Neither the European Union nor the granting authority can be held responsible for them.

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