“Monuments are good for nothing.” As monuments and museums rise around the fixed camera’s field of vision, “SK 2014” deconstructs a regime’s absurdity. The absurdity of its reading of the political, its need to mythologise itself, its absurd stones. Even in the rhythm of Offenbach, it is the graveyard of a community. Though it may appear grandiose to some.
Kumjana Novakova