A/D
Film Archive
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Credits
Producer
Siobhan Fenton, Lynchpin Productions
Director
Ellie Land
Music
Christopher Leary
Editor
Ellie Land
Animation
Paulina Brink, Reka Gacs, Sarah Tunstall
Script
Ellie Land
Sound
Matt Dennis, Christopher Leary
Centrefold is a moving and thought provoking animated documentary exploring the reasons why woman have labia surgery. Increasingly, women in the UK are undergoing a labiaplasty to neaten the appearance of their genitals. The film presents three woman’s accounts using stylized animated imagery.
Credits
Producer
Andy Glynne, Mosaic Films
Director
Andy Glynne
Music
Alexander Parsons
Animation
Salvador Maldonado
During the war in Afghanistan, Ali, now ten, fled his country with his grandmother, leaving behind his parents who were unable to leave. This film explores his pain of being separated from them, as well as living for years without knowing whether they were alive. Despite now having contact with them, they are still unable to be united, and Ali describes his hopes of one day seeing them again. This is part of a series using real-life stories of young refugees and asylum seekers, told by the children themselves.
Credits
Producer
Piyanan Suntasiri
Director
Piyanan Suntasiri
Music
Jonathan Fletcher
Cinematographer
Gail Piyanan Suntasiri
Editor
Gail Piyanan Suntasiri
Animation
Gail Piyanan Suntasiri
Script
interview pupils at ST.John School, Kingston Upon Thames
Sound
Alexios-Koukias-Pantelis
Childhood dreams areare full of fascination and imagination. This film is about what people really wanted to be when they were younger. However when time passes by, many of them start to forget... This film aims to remind people of their dreams and encourage them not to give up.
Credits
Producer
Andy Glynne, Mosaic Films
Director
Andy Glynne
Music
Alexander Parsons
Animation
Tom Senior
Hamid, aged ten, is from Eritrea. His father had been receiving threats from people in the government so Hamid and his mother escaped to the UK when he was just seven. His father also tried to escape but couldn’t and was later killed. Hamid describes the struggles of coming to terms with his father’s death, as well as settling into a new country. This film is part of a series entitled 'Seeking Refuge' using the real-life stories of young refugees and asylum-seekers who have fled their homeland, told by the children themselves.
Credits
Producer
Timo Suomi
Director
Bexie Bush
Music
Arran Price
Cinematographer
Adrian Peckitt
Editor
Pawel Slawek
Animation
Bexie Bush
Script
Stefan Kaday
Sound
Neo Peterson
Cup of tea? Come and take a seat in Lyn's cosy front room. Hear her story of love during wartime and watch as her belongings come alive with the hope, fear and humour of one spirited lady.
Credits
Producer
Sonja Henrici, Noe Mendelle
Director
Will Anderson
With appropriate pomp and protocol Mrs. Panda Tian Tian and Mr. Panda Yang Guang, better known as Sweetie and Sunshine, move into their new residence. The two pandas, a present from China, are to produce offspring for the Edinburgh Zoo. But it takes two to form a relationship. Will Sweetie be able to woo Sunshine’s heart?
Credits
Producer
Jaha Browne, Natalie Hobbs
Director
Jaha Browne, Natalie Hobbs
Cinematographer
Jaha Browne
Editor
Jaha Browne
Animation
Natalie Hobbs
Script
Jaha Browne, Natalie Hobbs
Sound
Jaha Browne, Natalie Hobbs
A traditional princess story is narrated by interweaving young girls’ statements about the issues they would face if they had to become a princess. Would they want to? And how would they lead their country during war? Their answers are full of surprises and humour.
Credits
Producer
Sophie Tran
Director
Sophie Tran
Music
Yueh-Chieh Huang
Cinematographer
Sophie Tran
Editor
Sophie Tran
Animation
Sophie Tran
Script
Sophie Tran
Sound
Soundbible.com
The filmmaker interviews various members of her family about their dangerous and risky flight from Vietnam to Great Britain as boat people.
Credits
Producer
Sharon Liu
Director
Sharon Liu
Music
Chris Lyons
Sound
Pavol Kajan
‘There are many things we cannot choose in life, no one can choose their parents. You have to learn to love them before knowing them.’ The film reflects the directors personal feelings to Hong Kong and its complicated relationship with China.
