A portrait of the World Economic Forum, a controversial institution whose founder, Klaus Schwab, considers himself a philanthropist. Masterfully balanced between hagiography and deconstruction.
How do murderers atone for their acts? Is there actually anything like atonement for an irreparable crime like murder? A film about time and finality, change and forgiveness.
All the members of the large Iranian family are against the father and the director tries to stay on top of the jungle of different statements. A tragicomic family saga.
Peeter Sauter, enfant terrible of the Estonian literary scene and Bukowski admirer, fights his melancholic writer’s block with absurd self experiments. Naked, he walks towards life.
A bold cinematic examination of one’s own family history, into which the horror of the Holocaust has inscribed itself over generations. Not a film about guilt, but about forgiveness.
Full of hope, Fahed arrived in England from Algeria in 2001. But his dreams of prosperity have evaporated. Today he is in a midlife crisis and no longer knows where his home is.
Fourteen-year-old Ma Xiang leaves his home and works in a foreign metropolis as a noodle puller to pay off his father’s debts. Work is hard, growing up is hard.
Maria Arlamovsky poignantly shows that the world of the so-called social robots is not just based on the most advanced technology, but also on a fundamentally patriarchal structure.
Siddharta and Fabrizio, one of them nine years old, the other 65, are the core of a community that renounces every civilising comfort. We are their guests – for one summer.
A Romanian princess, a royal train and the drudgery of the representation business, somewhere between k. u. k. ceremonial and new marketing visions.
Only women, children and old people live in this Armenian village, the men work in Russia. A life with a rhythm of its own, an independent daily life marked nonetheless by exile.
