An intimate portrait of a group of Japanese women between the ages of 15 and 82. They talk about their lives, what separates and unites daughters, mothers and grandmothers.

“You live somewhere, walk down the same street fifty, a hundred, ten thousand times, each time taking in fragments, but never fully registering THE PLACE ..."

In this lively, surprisingly frank and occasionally disturbing film, the certainty that there was something like a shared, let alone general identity in the new Germany of the early 1990s.

Pedestrians and what they have to say. In the simple disguise of a political poll, the participants’ answers are correlated with rather wide-reaching existential reflections.

A poetic investigation of how views of a city are manufactured. There is no singular continuous central flow but rather a collection of impressions that arrange themselves in hierarchical order, with or without our help.

After decades of absence, an elderly Chinese man returns to his old neighbourhood (New York, Chinatown) to take care of his dying mother.

The split screen shots of the erect penis of a masturbating man (right) and a hectic street scene (left) show two neutral circumstances.

Desire, time and control are the three themes Shelly Silver lists as the background of this work. For the artist, they crystalise in the act of taking a photo.