Lee Anne Schmitt’s first feature-length essay tours through California’s former company towns, which originally sprung up to house those working in the state’s primary industries and later slipped into dereliction or oblivion with the arrival of globalisation. Ghostly shots of decaying homes and dilapidated facilities rub up against vistas of verdant nature and open horizons, just as tales of prejudice and exploitation intermingle with thwarted utopian dreams. Augmenting her own ravishing 16mm footage with archive material, historical photographs and contemporary radio soundbites, Schmitt scours this hybrid landscape like a beachcomber for all the ideological traces it holds, whereby no story nor detail is too small to be excavated.