Hello Debus
A bizarre still life. Everyday objects lie carefully lined-up around a bed: scissors, keys, audio cassettes. A dead fish on a plate is surrounded by lemons and tomatoes. A young man lies listlessly on the bed – he does not stir even when the telephone rings and the answering machine clicks on. A rigorously choreographed scenery meets the real voice of a father. He seems needy, absurdly asking for anchovies. Suddenly, the son’s body is wrapped in a bubbling bag, only the feet sticking out, a tube supplying water. The father fancies some Roquefort cheese, but the real thing. Personal overload and powerlessness take on an original shape here – and that is far from all.
Anke Leweke
Contains mentions of mental health conditions
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rosa.gocht@filmuniversitaet.de