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Competition for the Audience Award Long Documentary and Animated Film

This competitive section brings together films from all over the world that arouse emotions, that take the subjective point of view, that can be humorous, surprising and warm-hearted. Like the whole DOK Leipzig line-up, they compete for the audience’s favour. Here, however, an audience jury will also award the prizes.

Competition for the Audience Award
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The Balcony Movie Paweł Łoziński
For two years, Paweł Łoziński set up his camera on the balcony and struck up conversations with the passers-by. A fascinating experimental set-up.
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The Balcony Movie

Film balkonowy
Paweł Łoziński
Competition for the Audience Award
Documentary Film
Poland
2021
100 minutes
Polish,
Russian
subtitles: 
English
German premiere

The whole world, captured on a somewhat dreary pavement in Warsaw. For two years, director Paweł Łoziński stood on the balcony of his flat with his camera and watched the people passing below from up there. The ones he saw and persuaded to talk are young and old, neighbours or simply passers-by. The filmmaker addresses them, asks questions, listens and creates a space for conversations that rarely happen between strangers.

How do passers-by react when they are filmed from a balcony and addressed, stopped from above? Do they walk on, shaking their heads? Or are they willing to engage in dialogue? This place and this staged opportunity seem perfect for making a film that reflects its own premises, because apparently people feel a rather strong need to talk about themselves from this unusual position. Whether hurrying or strolling, happy or thoughtful, posing or quite natural: Each of the participants who happen to come into view reveals something special. Every encounter, however unpremeditated, turns out to be unique. Some expectations of a certain type of person are disappointed, because hardly anyone can be pigeonholed. Łoziński’s experiment invites us to pause, to wait until the world steps into the camera’s field of view.

Lina Dinkla

Screenings & Tickets DOK Leipzig Logo

26.10.
#244
Passage Kinos Astoria
The Balcony Movie
During Checkout you can apply discounts or your accreditation.
26.10.2021
Passage Kinos Astoria
#244
The Balcony Movie
During Checkout you can apply discounts or your accreditation.
28.10.
Polnisches Institut
The Balcony Movie

Free entry

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28.10.2021
Polnisches Institut
The Balcony Movie

Free entry

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29.10.
#532
CineStar 5
The Balcony Movie
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29.10.2021
CineStar 5
#532
The Balcony Movie
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31.10.
#713
CineStar 2
Teil der Kompilation
will be announced on Friday 29 October 18:00 Online & Box Office Sale will start shortly after
31.10.2021
CineStar 2
#713
Teil der Kompilation
will be announced on Friday 29 October 18:00 Online & Box Office Sale will start shortly after

Credits DOK Leipzig Logo

Paweł Łoziński
Paweł Łoziński
Agnieszka Mankiewicz
Izabela Lopuch
Katarzyna Wilk
Paweł Łoziński
Paweł Łoziński
Paweł Łoziński
Piasek & Wójcik
Paweł Łoziński
Franciszek Kozłowski
Jan Duszyński

Contact DOK Leipzig Logo

Main Contact

Trailer DOK Leipzig Logo

Nominated for MDR Film Prize
Competition for the Audience Award
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The Cars We Drove into Capitalism Georgi Bogdanov, Boris Missirkov
A cheerfully edited collection of auto biographies from socialist production in seemingly carefree times – when the motorized vehicle was still allowed to be a status symbol.
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The Cars We Drove into Capitalism

The Cars We Drove into Capitalism
Georgi Bogdanov, Boris Missirkov
Competition for the Audience Award
Documentary Film
Bulgaria,
Germany,
Denmark,
Croatia,
Czech Republic
2021
93 minutes
Bulgarian,
German,
Norwegian,
Czech,
Russian,
English
subtitles: 
English
World premiere

A nostalgic trip into a past when buying a car constituted a lifetime’s work – especially for those Europeans who had a maximum of two handful of brands at their disposal. This cheerfully edited collection of auto biographies from socialist production evokes seemingly carefree times when the motorized vehicle was allowed to be simply a status symbol: free from ideological turf wars revolving around the climate crisis and mobility diets.

From Russia via Bulgaria and the Czech Republic to Germany and Norway, love stories between humans and Trabi, Moskvitch and Volga are captured on film. We meet protagonists who are fond of their beloved piece of tin, then or now, or have even amassed a considerable collection. There’s a couple who met and fell in love at a retro car exhibition and still drive the same model today. We meet a sexton who passes on his official car after 32 years of use. We make the acquaintance of a pin-up who always poses in front of vintage cars from the East. They all have a soft spot for these rickety rust buckets, because even though the products of the socialist car industry were usually slow, chunky, tedious to drive and to repair, they were all regarded as showpieces of a successful life. And there was one in almost every family: coveted, long longed-for, assiduously polished.

Lina Dinkla

Screenings & Tickets DOK Leipzig Logo

27.10.
Hauptbahnhof Osthalle
The Cars We Drove into Capitalism

Free entry

FSK recommendation: 6+
27.10.2021
Hauptbahnhof Osthalle
The Cars We Drove into Capitalism

Free entry

FSK recommendation: 6+
28.10.
#491
Schauburg
The Cars We Drove into Capitalism
During Checkout you can apply discounts or your accreditation.
28.10.2021
Schauburg
#491
The Cars We Drove into Capitalism
During Checkout you can apply discounts or your accreditation.
29.10.
Polnisches Institut
The Cars We Drove into Capitalism

Free entry

During Checkout you can apply discounts or your accreditation.
29.10.2021
Polnisches Institut
The Cars We Drove into Capitalism

Free entry

During Checkout you can apply discounts or your accreditation.
30.10.
#614
CineStar 2
The Cars We Drove into Capitalism
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30.10.2021
CineStar 2
#614
The Cars We Drove into Capitalism
During Checkout you can apply discounts or your accreditation.

Credits DOK Leipzig Logo

Georgi Bogdanov
Boris Missirkov
Martichka Bozhilova
Tina Leeb
Miljenka Čogelja
Dana Budisavljević
Jiří Konečný
Sigrid Jonsson Dyekjær
Sascha Beier
Simone Baumann
Boris Missirkov
Georgi Bogdanov
Boris Missirkov
Georgi Bogdanov
Emil Granicharov
Jacob Thuessen
Georgi Tenev
Veselin Zografov

Contact DOK Leipzig Logo

Main Contact
Martichka Bozhilova
producer@agitprop.bg
Nominated for MDR Film Prize
Competition for the Audience Award
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Dida Nikola Ilić, Corina Schwingruber Ilić
Nikola lives between two countries and three women: mother, wife and grandmother. When big changes lie ahead, the roles are redistributed. With great charm and humour.
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Dida

Dida
Nikola Ilić, Corina Schwingruber Ilić
Competition for the Audience Award
Documentary Film
Switzerland
2021
78 minutes
Serbian,
German
subtitles: 
English
German premiere

Nikola is a son, husband and grandson who teams up with his wife Corina to make a film about this. At its centre is his mother Dida who, due to a learning disability, has always been dependent on Nikola’s grandmother and lives with her in a small two-room flat. So far, so good. But Granny is getting old and Dida longs for independence. So it’s up to Nikola, who suddenly finds himself in charge. A charming look at a family in transition.

It’s a constant back and forth, as the couple live in Switzerland while mother Dida and Granny Dobrila live in Belgrade. No sooner have Corina and Nikola stepped out of the bus in one place when they find themselves on the return journey. Or is it the outward journey? Grandmother and daughter are a functional-dysfunctional team – one of them the brain, the other the executing body. The fact that Dida is much more than a shadow of her carer becomes apparent when Dobrila increasingly withdraws into an observer’s position. How can the grandson take over his grandmother’s duties without trading his own independence for that of his mother? The two directors succeed in making a touching film about the inescapable changes in their family without slipping into heaviness, working with lots of humour and a camera that seems to be present under any circumstances.

Kim Busch

Screenings & Tickets DOK Leipzig Logo

28.10.
#412
CineStar 2
Fluid Life + Dida
During Checkout you can apply discounts or your accreditation.
28.10.2021
CineStar 2
#412
Fluid Life + Dida
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30.10.
#644
Passage Kinos Astoria
Fluid Life + Dida
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30.10.2021
Passage Kinos Astoria
#644
Fluid Life + Dida
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31.10.
#792
Schauburg
Fluid Life + Dida
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31.10.2021
Schauburg
#792
Fluid Life + Dida
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Credits DOK Leipzig Logo

Nikola Ilić
Corina Schwingruber Ilić
Franziska Sonder
Karin Koch
Raffaella Pontarelli
Nikola Ilić
Corina Schwingruber Ilić
Pablo Ferro Živanović
Myriam Flury
Heidi Happy
Vladimir Rakić
Ivan Antić

Contact DOK Leipzig Logo

Main Contact
Raffaella Pontarelli
raffaellapontarelli@gmail.com

Trailer DOK Leipzig Logo

Nominated for MDR Film Prize
Competition for the Audience Award
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Flee Jonas Poher Rasmussen
It is only after many years that Amin is able to tell his true story. An award-winning animated documentary about the traumatic experience of fleeing from Afghanistan to Denmark.
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Flee

Flugt
Jonas Poher Rasmussen
Competition for the Audience Award
Documentary Film
Denmark,
France,
Sweden,
Norway
2021
86 minutes
Danish,
Dari,
Russian,
English
subtitles: 
English
German premiere

For many years, Amin was unable to speak about the experience of his flight. It is only now that he finds the courage to open up to his schoolmate, filmmaker Jonas Poher Rasmussen. From earliest childhood Amin’s life was marked by political unrest in his native country of Afghanistan and soon by growing up without a permanent home. His painful memories are visualized in haunting animations, interwoven with documentary footage.

It’s a well-known fact that flight does not lead from point A to point B and then simply ends. Amin’s story, though, shows how rocky and tortuous it can really be, leading from Afghanistan via Russia, Estonia and a few other stations to Denmark. Only when his life is on a safe track with an upcoming wedding and a good career does he find the strength to talk about what he had to go through to be where he is today. In an almost psychoanalytical setting, the protagonist – lying down – talks about his past. The narrative moves in a spiral between then and now, allowing for frequent respites between the traumatic impressions that the poignant animation makes almost physically tangible. It’s no coincidence that “Flee” has already won multiple awards and is considered an “instant classic” even now.

Kim Busch

Screenings & Tickets DOK Leipzig Logo

26.10.
#282
Schaubühne Lindenfels
Flee
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26.10.2021
Schaubühne Lindenfels
#282
Flee
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29.10.
#523
CineStar 4
Flee
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29.10.2021
CineStar 4
#523
Flee
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30.10.
#661
Regina 1
Flee
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30.10.2021
Regina 1
#661
Flee
During Checkout you can apply discounts or your accreditation.

Credits DOK Leipzig Logo

Jonas Poher Rasmussen
Monica Hellström
Charlotte De La Gournerie
Signe Byrge Sørensen
Shoshi Korman
Janus Billeskov Jansen
Kenneth Ladekjær
Jonas Poher Rasmussen
Amin
Uno Helmerson

Contact DOK Leipzig Logo

Main Contact
Shoshi Korman
info@cinephil.com

Trailer DOK Leipzig Logo

Competition for the Audience Award
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For a Fistful of Fries Jean Libon, Yves Hinant
True Crime in Brussels: Inspector Lemoine has to investigate the murder of a prostitute. The discovery of a few French fries enables him to track down the perpetrator.
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For a Fistful of Fries

Poulet frites
Jean Libon, Yves Hinant
Competition for the Audience Award
Documentary Film
France,
Belgium
2021
100 minutes
French,
Urdu,
Bengali,
English
subtitles: 
English
German premiere

In Belgium and France, the documentary series “Strip-Tease” is real cult viewing. The creators of the TV production have now used more than twenty-year-old material to make a crime documentary in dirty black and white. The Brussels CID are investigating a murder case: A casual prostitute was killed in her flat. The discovery of a few French fries enables them to track down the perpetrator. True Crime.

The dead woman’s name was Kalima Sissou. Very quickly, the investigation focuses on her former boyfriend Alain, and so, in authentic, raw images, we watch Inspector Lemoine and his colleagues at work: at the crime scene, interrogating witnesses and, naturally, cross-examining the main suspect. Despite the serious character of the events, Jean Libon and Yves Hinant’s offbeat mixture of dark thriller and absurd reality comedy does not lack (black) humour. Shot in a simple cinéma-vérité style, the film does not embellish on what it shows. The creative and conceptual model is, of course, the series “Strip-Tease”, co-developed by Libon in 1985 and widely known for the unconventional, blunt and politically incorrect manner in which it tackled even delicate subjects. “For a Fistful of Fries” continues in this vein and takes us very close to the often incredibly profane action.

Lina Dinkla

Screenings & Tickets DOK Leipzig Logo

28.10.
#414
CineStar 2
For a Fistful of Fries
During Checkout you can apply discounts or your accreditation.
28.10.2021
CineStar 2
#414
For a Fistful of Fries
During Checkout you can apply discounts or your accreditation.
29.10.
#524
CineStar 4
For a Fistful of Fries
During Checkout you can apply discounts or your accreditation.
29.10.2021
CineStar 4
#524
For a Fistful of Fries
During Checkout you can apply discounts or your accreditation.
31.10.
#771
Regina 4
For a Fistful of Fries
During Checkout you can apply discounts or your accreditation.
31.10.2021
Regina 4
#771
For a Fistful of Fries
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Credits DOK Leipzig Logo

Jean Libon
Yves Hinant
Bertrand Faivre
François Clerc
Clémentine Hugot
Anouk Zivy

Contact DOK Leipzig Logo

Main Contact
Geraldine Bryant
festivals@lebureaufilms.com
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Garage, Engines & Men

Garage, des moteurs et des hommes
Claire Simon
Competition for the Audience Award
Documentary Film
France
2021
71 minutes
French
subtitles: 
German Subtitles for deaf and hard-of-hearing, English
German premiere

Life without a car has become unthinkable in the country. This also goes for the sleepy village of Claviers in Provence, where Claire Simon went to school and her daughter experienced her first love with the baker’s son. Pensioners and tourists dominate the place today, and the bakery has long since given up. But the heart of the village continues to beat: in the garage. This is where the day-to-day dramas take place, where the weal and woe of its citizens are decided.

Christophe Scalia’s empire is one of men who accept women only as bystanders. Nevertheless, the mechanic and his apprentice, Romaric Rousselle, are quite willing to allow Claire Simon to watch their every move as they handle shock absorbers, spark plugs and brake pads, to listen to their every bantering conversation. They are completely absorbed in their role, turning into superheroes responsible not just for the proper functioning of all the two- and four-wheel vehicles that are so important in the country, but also of the entire village. This is where local politics and family planning, generational conflicts and the economy are discussed, occasionally accompanied by music from Coppola’s “The Godfather” which Christophe has set as his mobile phone ringtone. To make everyday life look more exciting than any fiction through patient observation, that is the miracle of Claire Simon’s documentary work.

Christoph Terhechte

Screenings & Tickets DOK Leipzig Logo

26.10.
#281
Schaubühne Lindenfels
Glückspfad + Garage, Engines & Men
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26.10.2021
Schaubühne Lindenfels
#281
Glückspfad + Garage, Engines & Men
During Checkout you can apply discounts or your accreditation.
27.10.
#391
Schauburg
Glückspfad + Garage, Engines & Men
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27.10.2021
Schauburg
#391
Glückspfad + Garage, Engines & Men
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30.10.
#621
CineStar 4
Glückspfad + Garage, Engines & Men
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30.10.2021
CineStar 4
#621
Glückspfad + Garage, Engines & Men
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Credits DOK Leipzig Logo

Claire Simon
Rebecca Houzel
Claire Simon
Claire Simon
Nicolas Repac
Frédéric Buy
Luc Forveille

Contact DOK Leipzig Logo

Main Contact
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The Good Soldier

Le bon soldat
Silvina Landsmann
Competition for the Audience Award
Documentary Film
Israel,
France,
Germany
2021
88 minutes
Hebrew,
English
subtitles: 
English, German Subtitles for deaf and hard-of-hearing
International Premiere

The NGO “Breaking the Silence” – BtS for short – consists of veteran Israeli soldiers who, by collecting personal accounts of their memories, want to raise awareness of everyday military life and the treatment of the population in the Occupied Territories. Director Silvina Landsmann’s film allows us a look behind the scenes of a contested group with a controversial approach in the midst of a conflict that’s been smouldering for more than 70 years.

What makes a good soldier? The ability to execute orders without scruples, or the consideration of higher moral goals when dealing with the enemy? For many members of BtS, the latter was only possible after active military service. In their work, they engage with operations and acts that in retrospect seem wrong to them. They address the Israeli population and foreign media with videos, lectures and city tours. The streets of Hebron are the site of frequent clashes between BtS, Israeli settlers and the army. On the political level, too, the organisation is harshly criticized. They are accused of fabricating stories, damaging Israel’s reputation and playing into the hands of anti-Semites. Landsmann observes with a cinematic, sober eye how the group struggles internally and externally to find its voice.

Kim Busch

Screenings & Tickets DOK Leipzig Logo

26.10.
#241
Passage Kinos Astoria
The Good Soldier
During Checkout you can apply discounts or your accreditation.
26.10.2021
Passage Kinos Astoria
#241
The Good Soldier
During Checkout you can apply discounts or your accreditation.
29.10.
#513
CineStar 2
The Good Soldier
During Checkout you can apply discounts or your accreditation.
29.10.2021
CineStar 2
#513
The Good Soldier
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30.10.
#673
Regina 4
The Good Soldier
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30.10.2021
Regina 4
#673
The Good Soldier
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Credits DOK Leipzig Logo

Silvina Landsmann
Silvina Landsmann
Pierre-Olivier Bardet
Christoph Menardi
Silvina Landsmann
Tal Shefi
Ami Arad
Guy Barkay
Nadir Fleishman
Zohar Cheppa
Tully Chen

Contact DOK Leipzig Logo

Main Contact
Silvina Landsmann

Trailer DOK Leipzig Logo

Nominated for Leipziger Ring
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Lo que queda en el camino

Lo que queda en el camino
Jakob Krese, Danilo do Carmo
Competition for the Audience Award
Documentary Film
Germany,
Brazil,
Mexico
2021
93 minutes
Spanish
subtitles: 
German Subtitles for deaf and hard-of-hearing, English
International Premiere

In 2018, thousands of people from Latin America set out together, fleeing from a lack of perspective, poverty and violence to the U.S. Among them Lilian, a single mother from Guatemala, who found the courage to leave her violent husband. The caravan was her only chance to achieve this act of strength. Nevertheless: 4,000 kilometres with four small children, walking, hitchhiking and travelling north on “La Bestia”, the freight train, are still extremely perilous.

The film contrasts the media coverage with a sensitive view that deliberately focuses on one family. It registers inconceivable hardships, but also great helpfulness, Lilian’s power of endurance and her ability to make the exertions seem like an adventure trip for her children – at least occasionally. Despite this lightness, though, the struggle remains as present as the fact that the US is simultaneously building a wall to prevent anyone from crossing the border. When Lilian and her children reach the border after weeks of fear, she breaks down. Suddenly the question arises whether her goal is really this rich country. Isn’t it rather about finally standing up to male dominance and traditional gender roles? It’s very obvious that one thing remained on Lilian’s arduous way: Fear has yielded to a new self-confidence.

Luc-Carolin Ziemann

Screenings & Tickets DOK Leipzig Logo

27.10.
#311
CineStar 2
Lo que queda en el camino
During Checkout you can apply discounts or your accreditation.
27.10.2021
CineStar 2
#311
Lo que queda en el camino
During Checkout you can apply discounts or your accreditation.
29.10.
#5A1
Cinémathèque
Lo que queda en el camino
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29.10.2021
Cinémathèque
#5A1
Lo que queda en el camino
During Checkout you can apply discounts or your accreditation.
30.10.
#662
Regina 1
Lo que queda en el camino
During Checkout you can apply discounts or your accreditation.
30.10.2021
Regina 1
#662
Lo que queda en el camino
During Checkout you can apply discounts or your accreditation.

Credits DOK Leipzig Logo

Jakob Krese
Danilo do Carmo
Annika Mayer
Bruna Epiphanio
Nasima Tajik
Danilo do Carmo
Sofia A. Machado

Contact DOK Leipzig Logo

Main Contact

Trailer DOK Leipzig Logo

Nominated for Goethe-Institut Documentary Film Prize, Leipziger Ring, DEFA Sponsoring Prize
Competition for the Audience Award
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Die Odyssee Florence Miailhe
A country, somewhere and everywhere. Kyona and Adriel are forced to flee. Perhaps the siblings will find a more peaceful place? A visually powerful animated film, painted in oil on glass.
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Die Odyssee

Die Odyssee
Florence Miailhe
Competition for the Audience Award
Animated Film
Germany,
Czech Republic,
France
2020
84 minutes
German
subtitles: 
English
German premiere

A country that could be anywhere, not precisely localized and yet everywhere. It’s a beautiful summer’s day when the life of siblings Kyona and Adriel changes forever. Their village is raided, destroyed and set on fire. The whole family is forced to flee and experiences many real and surreal situations on their tracks across a whole continent to finally arrive, perhaps, at a more peaceful place.

At the start of the film, Kyona leafs through a sketchbook, takes stock of her life and talks about the end of her childhood. It is only later that the siblings even realize that they are refugees, that like many others they are making their way to the border for a variety of reasons: natural disasters, the consequences of climate change, war, persecution. The two children come across dangerous and helpful people, are separated and find each other again. This feature-length animation, realized in oil on glass, relies on the rapid interplay between fantasy and reality, taking us, on the one hand, into a fictitious, non-real world. But on the other hand, the places, names, situations remind us of familiar things. They show fleeing, exile, setting out as a universal experience.

Lina Dinkla

Screenings & Tickets DOK Leipzig Logo

26.10.
Hauptbahnhof Osthalle
Die Odyssee

Free entry

FSK recommendation: 12+
26.10.2021
Hauptbahnhof Osthalle
Die Odyssee

Free entry

FSK recommendation: 12+
27.10.
#361
Regina 2
Die Odyssee
During Checkout you can apply discounts or your accreditation.
27.10.2021
Regina 2
#361
Die Odyssee
During Checkout you can apply discounts or your accreditation.
30.10.
#612
CineStar 2
Die Odyssee
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30.10.2021
CineStar 2
#612
Die Odyssee
During Checkout you can apply discounts or your accreditation.

Credits DOK Leipzig Logo

Florence Miailhe
Dora Benoussilio
Luc Camilli
Ralf Kukula
Martin Vandas
Alena Vandasoá
Nassim Gordji Tehrani
Julie Dupré
Florian Marquardt
Marta Szymańska
Zuzana Studená
Anna Paděrová
Eva Skurská
Polina Kazak
Lucie Sunková
Urte Zintler
Paola de Sousa
Ewa Łuczków
Anita Brüvere
Aurore Peuffier
David Martin
Marie Juin
Valentine Delqueux
Andreas Moisa
Philipp Kümpel
Florence Miailhe
Marie Desplechin
Aline Helmcke

Contact DOK Leipzig Logo

Main Contact
Tobias Lindemann
Nominated for Gedanken Aufschluss Prize
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Our Memory Belongs to Us

Frihed, håb og andre synder – Den syriske revolution 10 år senere
Rami Farah, Signe Byrge Sørensen
Competition for the Audience Award
Documentary Film
Denmark,
France,
Palestinian Territories
2021
90 minutes
Arabic
subtitles: 
German Subtitles for deaf and hard-of-hearing, English
German premiere

The most valuable thing Yadan carries with him on his flight is a hard drive. It contains almost 13,000 videos recorded in 2011 and 2012 by him and other insurgents in Daraa, the “cradle” of the Syrian revolution. Eight years later, Yadan and two of his fellow travellers meet in a theatre in Paris to (re)confront the material. In the dialogue between the men and the images, a piece of the country’s history begins to take shape.

When peaceful protest turns into brutal war, a small group of civilians become the voice of Daraa. They film where there is no official coverage: at first in order to help the revolution into actual existence by their media representation, later to bear witness in an urgent plea for help to the international community. Against the human rights crimes of the government troops, against shelling and bombs – the camera is their weapon. The cinematic set-up becomes the starting point for a reflection about the meaning of images, then and now, and at the same time triggers a conversion of personal into collective memories. The protagonists’ reactions reveal how painful this process is: “Is the collection of the story worth all the violence that memory brings back?” is asked from offscreen. The film gives a decisive answer.

Sarina Lacaf

Screenings & Tickets DOK Leipzig Logo

28.10.
#413
CineStar 2
Our Memory Belongs to Us
During Checkout you can apply discounts or your accreditation.
28.10.2021
CineStar 2
#413
Our Memory Belongs to Us
During Checkout you can apply discounts or your accreditation.
30.10.
#6A3
Cinémathèque
Our Memory Belongs to Us
During Checkout you can apply discounts or your accreditation.
30.10.2021
Cinémathèque
#6A3
Our Memory Belongs to Us
During Checkout you can apply discounts or your accreditation.
31.10.
#773
Regina 4
Our Memory Belongs to Us
During Checkout you can apply discounts or your accreditation.
31.10.2021
Regina 4
#773
Our Memory Belongs to Us
During Checkout you can apply discounts or your accreditation.

Credits DOK Leipzig Logo

Rami Farah
Signe Byrge Sørensen
Signe Byrge Sørensen
Lyana Saleh
Anne Köhncke
Reema Jarrar
Gladys Joujou
Henrik Bohn Ipsen
Henrik Garnov
Anders V. Christensen
Kinan Azmeh
Dima Saber
Rami Farah
Lyana Saleh
Signe Byrge Sørensen

Contact DOK Leipzig Logo

Main Contact
Maria Kristensen
info@final-cut.dk

Trailer DOK Leipzig Logo

Nominated for Leipziger Ring