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Competition for the Audience Award
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The Balcony Movie Paweł Łoziński
For two years, Paweł Łoziński set up his camera on the balcony and struck up conversations with the passers-by. A fascinating experimental set-up.
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The Balcony Movie

Film balkonowy
Paweł Łoziński
Competition for the Audience Award
Documentary Film
Poland
2021
100 minutes
Polish,
Russian
subtitles: 
English
German premiere

The whole world, captured on a somewhat dreary pavement in Warsaw. For two years, director Paweł Łoziński stood on the balcony of his flat with his camera and watched the people passing below from up there. The ones he saw and persuaded to talk are young and old, neighbours or simply passers-by. The filmmaker addresses them, asks questions, listens and creates a space for conversations that rarely happen between strangers.

How do passers-by react when they are filmed from a balcony and addressed, stopped from above? Do they walk on, shaking their heads? Or are they willing to engage in dialogue? This place and this staged opportunity seem perfect for making a film that reflects its own premises, because apparently people feel a rather strong need to talk about themselves from this unusual position. Whether hurrying or strolling, happy or thoughtful, posing or quite natural: Each of the participants who happen to come into view reveals something special. Every encounter, however unpremeditated, turns out to be unique. Some expectations of a certain type of person are disappointed, because hardly anyone can be pigeonholed. Łoziński’s experiment invites us to pause, to wait until the world steps into the camera’s field of view.

Lina Dinkla

Screenings & Tickets DOK Leipzig Logo

26.10.
#244
Passage Kinos Astoria
The Balcony Movie
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26.10.2021
Passage Kinos Astoria
#244
The Balcony Movie
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28.10.
Polnisches Institut
The Balcony Movie

Free entry

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28.10.2021
Polnisches Institut
The Balcony Movie

Free entry

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29.10.
#532
CineStar 5
The Balcony Movie
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29.10.2021
CineStar 5
#532
The Balcony Movie
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31.10.
#713
CineStar 2
Teil der Kompilation
will be announced on Friday 29 October 18:00 Online & Box Office Sale will start shortly after
31.10.2021
CineStar 2
#713
Teil der Kompilation
will be announced on Friday 29 October 18:00 Online & Box Office Sale will start shortly after

Credits DOK Leipzig Logo

Paweł Łoziński
Paweł Łoziński
Agnieszka Mankiewicz
Izabela Lopuch
Katarzyna Wilk
Paweł Łoziński
Paweł Łoziński
Paweł Łoziński
Piasek & Wójcik
Paweł Łoziński
Franciszek Kozłowski
Jan Duszyński

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Main Contact

Trailer DOK Leipzig Logo

Nominated for MDR Film Prize
Competition for the Audience Award
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The Cars We Drove into Capitalism Georgi Bogdanov, Boris Missirkov
A cheerfully edited collection of auto biographies from socialist production in seemingly carefree times – when the motorized vehicle was still allowed to be a status symbol.
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The Cars We Drove into Capitalism

The Cars We Drove into Capitalism
Georgi Bogdanov, Boris Missirkov
Competition for the Audience Award
Documentary Film
Bulgaria,
Germany,
Denmark,
Croatia,
Czech Republic
2021
93 minutes
Bulgarian,
German,
Norwegian,
Czech,
Russian,
English
subtitles: 
English
World premiere

A nostalgic trip into a past when buying a car constituted a lifetime’s work – especially for those Europeans who had a maximum of two handful of brands at their disposal. This cheerfully edited collection of auto biographies from socialist production evokes seemingly carefree times when the motorized vehicle was allowed to be simply a status symbol: free from ideological turf wars revolving around the climate crisis and mobility diets.

From Russia via Bulgaria and the Czech Republic to Germany and Norway, love stories between humans and Trabi, Moskvitch and Volga are captured on film. We meet protagonists who are fond of their beloved piece of tin, then or now, or have even amassed a considerable collection. There’s a couple who met and fell in love at a retro car exhibition and still drive the same model today. We meet a sexton who passes on his official car after 32 years of use. We make the acquaintance of a pin-up who always poses in front of vintage cars from the East. They all have a soft spot for these rickety rust buckets, because even though the products of the socialist car industry were usually slow, chunky, tedious to drive and to repair, they were all regarded as showpieces of a successful life. And there was one in almost every family: coveted, long longed-for, assiduously polished.

Lina Dinkla

Screenings & Tickets DOK Leipzig Logo

27.10.
Hauptbahnhof Osthalle
The Cars We Drove into Capitalism

Free entry

FSK recommendation: 6+
27.10.2021
Hauptbahnhof Osthalle
The Cars We Drove into Capitalism

Free entry

FSK recommendation: 6+
28.10.
#491
Schauburg
The Cars We Drove into Capitalism
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28.10.2021
Schauburg
#491
The Cars We Drove into Capitalism
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29.10.
Polnisches Institut
The Cars We Drove into Capitalism

Free entry

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29.10.2021
Polnisches Institut
The Cars We Drove into Capitalism

Free entry

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30.10.
#614
CineStar 2
The Cars We Drove into Capitalism
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30.10.2021
CineStar 2
#614
The Cars We Drove into Capitalism
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Credits DOK Leipzig Logo

Georgi Bogdanov
Boris Missirkov
Martichka Bozhilova
Tina Leeb
Miljenka Čogelja
Dana Budisavljević
Jiří Konečný
Sigrid Jonsson Dyekjær
Sascha Beier
Simone Baumann
Boris Missirkov
Georgi Bogdanov
Boris Missirkov
Georgi Bogdanov
Emil Granicharov
Jacob Thuessen
Georgi Tenev
Veselin Zografov

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Main Contact
Martichka Bozhilova
producer@agitprop.bg
Nominated for MDR Film Prize
Animation Perspectives
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Ceuta’s Gate Randa Maroufi
A performative reconstruction sketches and condenses daily life at the border between the Spanish exclave of Ceuta and Morocco, which is crossed illegally by all kinds of goods.
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Ceuta’s Gate

Bab Septa
Randa Maroufi
Animation Perspectives
Documentary Film
France,
Morocco
2019
19 minutes
Spanish,
Arabic
subtitles: 
English
No Premiere

Everything seems neat at first in Randa Maroufi’s performative reconstruction. Cars form orderly queues; market women tie up their baggage. On the monotonous grey background, the scenes appear schematic, like a blueprint where suddenly everything becomes graphically condensed. Everyday life at the border between the Spanish exclave of Ceuta and Morocco, which is crossed illegally by all kinds of goods.


André Eckardt

Screenings & Tickets DOK Leipzig Logo

28.10.
#454
Passage Kinos Wintergarten
Teil der Kompilation
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28.10.2021
Passage Kinos Wintergarten
#454
Teil der Kompilation
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Credits DOK Leipzig Logo

Randa Maroufi
Saïd Hamich
Randa Maroufi
Randa Maroufi
Luca Coassin
Ismael Joffroy Chandoutis
Mohamed Bounouar
Léonore Mercier

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Main Contact
Elise Notseck
festival@shortcuts.pro
International Competition
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Conversations with Siro Dima El-Horr
From her French exile, the director continues the dialogue with her friend who stayed in Beirut. The result is a densely woven film full of emotional contrasts.
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Conversations with Siro

Conversations avec Siro
Dima El-Horr
International Competition
Documentary Film
Lebanon,
France
2021
52 minutes
Arabic,
French
subtitles: 
French, English
International Premiere

Lebanese filmmaker Dima El-Horr moved to Paris several years ago. Among the friends who stayed at home is the artist Sirvat Fazlian, whom she regularly visits in Beirut until the failed revolution of 2019, the COVID lockdown, the devastating port explosion and finally the dramatic economic crisis put a temporary end to their meetings. So the director decides to give her conversations with Siro a cinematic form.

Ever since the death of her husband, the well-known Armenian actor Berj Fazlian, Siro has lived alone in a flat filled with souvenirs and devoted most of her time to music and painting. In this film, footage from the years before 2019 blends with recorded phone calls between Siro and Dima and recent scenes from Paris, coming together in a densely woven portrait of life in exile. While snow falls in Paris, Siro talks about warm days on the Mediterranean coast and sings Armenian songs. She rails against the permanent crisis in Lebanon, but her nature is not affected. For one thing, Siro personifies the legendary Lebanese resilience. Yet for the filmmaker she represents that part of the heart that people in exile leave behind. So almost inevitably, “Conversations with Siro” becomes the director’s dialogue with herself.

Christoph Terhechte

Screenings & Tickets DOK Leipzig Logo

27.10.
#324
CineStar 4
When Light is Displaced + Conversations with Siro
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27.10.2021
CineStar 4
#324
When Light is Displaced + Conversations with Siro
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29.10.
#571
Regina 4
When Light is Displaced + Conversations with Siro
During Checkout you can apply discounts or your accreditation.
29.10.2021
Regina 4
#571
When Light is Displaced + Conversations with Siro
During Checkout you can apply discounts or your accreditation.
31.10.
#732
CineStar 5
When Light is Displaced + Conversations with Siro
During Checkout you can apply discounts or your accreditation.
31.10.2021
CineStar 5
#732
When Light is Displaced + Conversations with Siro
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Credits DOK Leipzig Logo

Dima El-Horr
Paul Rognoni
Sabine Sidawi
Dima El-Horr
Catherine Zins
Jean-Pierre Dussardier

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Main Contact
Nominated for FIPRESCI Prize, Prize of the Interreligious Jury
Homage Avi Mograbi
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The First 54 Years – An Abbreviated Manual for Military Occupation Avi Mograbi
Why and for what purpose does politics resort to the model of “military occupation”? Avi Mograbi uses the example of “Israel-Palestine” to explain its standard mechanisms and aporias.
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The First 54 Years – An Abbreviated Manual for Military Occupation

54 hashanim harishonot – madrikh mekutzar lekibush tzva’i
Avi Mograbi
Homage Avi Mograbi
Documentary Film
France,
Finland,
Israel,
Germany
2021
110 minutes
Hebrew,
English
subtitles: 
English
No Premiere

The archived testimonies of “Breaking the Silence”, an association of military veterans, are to be turned into a compilation of “service incidents” in the Israeli-occupied territories. But Avi Mograbi confesses: “My films tend to get complicated, even when my intention is to make a very simple film.” His reaction to a complex doom is artistically and intellectually commensurate: complex. Once again he uses a built-in commentary function in which he himself, white-bearded, explains the tricky situation to his audience: not as a special “Israel-Palestine” case, but as the bitter standard application of the globally familiar aporetic model of “military occupation”.


Sylvia Görke

Screenings & Tickets DOK Leipzig Logo

28.10.
#444
Passage Kinos Astoria
The First 54 Years – An Abbreviated Manual for Military Occupation
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28.10.2021
Passage Kinos Astoria
#444
The First 54 Years – An Abbreviated Manual for Military Occupation
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Credits DOK Leipzig Logo

Avi Mograbi
Camille Laemlé
Serge Lalou
Annie Ohayon-Dekel
Fabrice Puchault
Heino Deckert
Leila Lyytikäinen
Elina Pohjola
Farid Rezkallah
Anne Grolleron
Avi Mograbi
The Party Film Sales
Avi Mograbi
Tulik Gallon
Philippe Bellaiche
Avi Mograbi
Avi Mograbi

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Main Contact
Competition for the Audience Award
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For a Fistful of Fries Jean Libon, Yves Hinant
True Crime in Brussels: Inspector Lemoine has to investigate the murder of a prostitute. The discovery of a few French fries enables him to track down the perpetrator.
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For a Fistful of Fries

Poulet frites
Jean Libon, Yves Hinant
Competition for the Audience Award
Documentary Film
France,
Belgium
2021
100 minutes
French,
Urdu,
Bengali,
English
subtitles: 
English
German premiere

In Belgium and France, the documentary series “Strip-Tease” is real cult viewing. The creators of the TV production have now used more than twenty-year-old material to make a crime documentary in dirty black and white. The Brussels CID are investigating a murder case: A casual prostitute was killed in her flat. The discovery of a few French fries enables them to track down the perpetrator. True Crime.

The dead woman’s name was Kalima Sissou. Very quickly, the investigation focuses on her former boyfriend Alain, and so, in authentic, raw images, we watch Inspector Lemoine and his colleagues at work: at the crime scene, interrogating witnesses and, naturally, cross-examining the main suspect. Despite the serious character of the events, Jean Libon and Yves Hinant’s offbeat mixture of dark thriller and absurd reality comedy does not lack (black) humour. Shot in a simple cinéma-vérité style, the film does not embellish on what it shows. The creative and conceptual model is, of course, the series “Strip-Tease”, co-developed by Libon in 1985 and widely known for the unconventional, blunt and politically incorrect manner in which it tackled even delicate subjects. “For a Fistful of Fries” continues in this vein and takes us very close to the often incredibly profane action.

Lina Dinkla

Screenings & Tickets DOK Leipzig Logo

28.10.
#414
CineStar 2
For a Fistful of Fries
During Checkout you can apply discounts or your accreditation.
28.10.2021
CineStar 2
#414
For a Fistful of Fries
During Checkout you can apply discounts or your accreditation.
29.10.
#524
CineStar 4
For a Fistful of Fries
During Checkout you can apply discounts or your accreditation.
29.10.2021
CineStar 4
#524
For a Fistful of Fries
During Checkout you can apply discounts or your accreditation.
31.10.
#771
Regina 4
For a Fistful of Fries
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31.10.2021
Regina 4
#771
For a Fistful of Fries
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Credits DOK Leipzig Logo

Jean Libon
Yves Hinant
Bertrand Faivre
François Clerc
Clémentine Hugot
Anouk Zivy

Contact DOK Leipzig Logo

Main Contact
Geraldine Bryant
festivals@lebureaufilms.com
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The Good Soldier

Le bon soldat
Silvina Landsmann
Competition for the Audience Award
Documentary Film
Israel,
France,
Germany
2021
88 minutes
Hebrew,
English
subtitles: 
English, German Subtitles for deaf and hard-of-hearing
International Premiere

The NGO “Breaking the Silence” – BtS for short – consists of veteran Israeli soldiers who, by collecting personal accounts of their memories, want to raise awareness of everyday military life and the treatment of the population in the Occupied Territories. Director Silvina Landsmann’s film allows us a look behind the scenes of a contested group with a controversial approach in the midst of a conflict that’s been smouldering for more than 70 years.

What makes a good soldier? The ability to execute orders without scruples, or the consideration of higher moral goals when dealing with the enemy? For many members of BtS, the latter was only possible after active military service. In their work, they engage with operations and acts that in retrospect seem wrong to them. They address the Israeli population and foreign media with videos, lectures and city tours. The streets of Hebron are the site of frequent clashes between BtS, Israeli settlers and the army. On the political level, too, the organisation is harshly criticized. They are accused of fabricating stories, damaging Israel’s reputation and playing into the hands of anti-Semites. Landsmann observes with a cinematic, sober eye how the group struggles internally and externally to find its voice.

Kim Busch

Screenings & Tickets DOK Leipzig Logo

26.10.
#241
Passage Kinos Astoria
The Good Soldier
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26.10.2021
Passage Kinos Astoria
#241
The Good Soldier
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29.10.
#513
CineStar 2
The Good Soldier
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29.10.2021
CineStar 2
#513
The Good Soldier
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30.10.
#673
Regina 4
The Good Soldier
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30.10.2021
Regina 4
#673
The Good Soldier
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Credits DOK Leipzig Logo

Silvina Landsmann
Silvina Landsmann
Pierre-Olivier Bardet
Christoph Menardi
Silvina Landsmann
Tal Shefi
Ami Arad
Guy Barkay
Nadir Fleishman
Zohar Cheppa
Tully Chen

Contact DOK Leipzig Logo

Main Contact
Silvina Landsmann

Trailer DOK Leipzig Logo

Nominated for Leipziger Ring
German Competition Short Film
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Handbuch Pavel Mozhar
A cinematic experimental set-up in the form of a manual which uses reconstructions to make us experience how Lukashenko’s violence-based system works.
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Handbuch

Handbuch
Pavel Mozhar
German Competition Short Film
Documentary Film
Germany
2021
29 minutes
Russian,
German
subtitles: 
German
World premiere

A felicitous and at the same time almost unbearable cinematic experimental set-up that uses documentary means to show what the Belarusian reality behind the news items looks like. Based on eyewitness accounts, Pavel Mozhar re-stages Lukashenko’s perfidious and oppression-based power system. Violence in the shape of detailed reconstructions may seem abstract at first glance but drills itself into our consciousness all the more persistently in the course of the film.


Luc-Carolin Ziemann

Screenings & Tickets DOK Leipzig Logo

26.10.
#2A1
Cinémathèque
Teil der Kompilation
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26.10.2021
Cinémathèque
#2A1
Teil der Kompilation
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28.10.
#432
CineStar 5
Teil der Kompilation
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28.10.2021
CineStar 5
#432
Teil der Kompilation
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30.10.
#613
CineStar 2
Teil der Kompilation
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30.10.2021
CineStar 2
#613
Teil der Kompilation
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31.10.
#762
Regina 2
Teil der Kompilation
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31.10.2021
Regina 2
#762
Teil der Kompilation
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Credits DOK Leipzig Logo

Pavel Mozhar
Pavel Mozhar
Kolja Wolle
Laura Därr
Jonas Römmig
Florian Seufert
Pavel Mozhar
Joscha Eickel
Bertold Budig
Ganna Gryniva
Friedi Blume

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Main Contact
Extended Reality
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Handwritten Lui Avallos
A synaesthetic essay film: Dystopic and anonymous stories merge in a collage of the disturbing social and political phenomena in times of the COVID-19 pandemic.
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Handwritten

Escrito à mão
Lui Avallos
Extended Reality
-
Brazil,
Portugal,
Italy,
France
2021
9 minutes
Portuguese (Brazil),
Italian,
French,
English
German premiere

The global COVID-19 pandemic has changed human relationships. Archive material, 360° footage and artificially generated images are used to create a synaesthetic essay film about loneliness, insecurity and the increasing shift of our everyday life into the digital realm. Dystopic and anonymous stories merge in a collage of the disturbing social and political phenomena of our time.


Lars Rummel

Screenings & Tickets DOK Leipzig Logo

This work is part of our exhibition

Extended Reality: DOK Neuland. Chaos Is a Condition

26/10–31/10/2021 
Free entry

Museum of Fine Arts (MdbK) Leipzig
Tues, Thur – Sun | 12:00–18:00
Wed | 12:00–20:00

For accredited guests: Tues, Thur – Sun | 10:00–12:00

Subject to the General Terms & Conditions and pandemic protection measures of Museum of Fine Arts Leipzig. Please be advised that due to a limited number of visitors allowed in the venues longer waiting times are to be expected. Thanks in advance for your patience.

For the first time, visitors can also experience the XR works online from anywhere in the world. Explore DOK Neuland online here.

Credits DOK Leipzig Logo

Lui Avallos
Rodrigo Moreira
Mundivagante Studio
Lui Avallos
Lui Avallos
Lui Avallos
Agnese Riaudo
Filippo Stagnini
Jessica Menezes

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Main Contact
Extended Reality
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Infomorph Arash Akbari
We are guided through a speculative posthumanist scenario revolving around the relationship between humans, machines and nature. An AI helps with the transition into the digital.
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Infomorph

Infomorph
Arash Akbari
Extended Reality
-
Iran,
Netherlands
2021
10 minutes
English
World premiere

We meet an artificial intelligence designed to ease our transition into the digital. Life in the analogue world is no longer possible, not even necessary. The VR experience guides us through a speculative scenario that illuminates the relationship between humans, machines and nature in posthumanism. Texts, images and sounds were created by means of AI and algorithms.


Lars Rummel

Screenings & Tickets DOK Leipzig Logo

This work is part of our exhibition

Extended Reality: DOK Neuland. Chaos Is a Condition

26/10–31/10/2021 
Free entry

Museum of Fine Arts (MdbK) Leipzig
Tues, Thur – Sun | 12:00–18:00
Wed | 12:00–20:00

For accredited guests: Tues, Thur – Sun | 10:00–12:00

Subject to the General Terms & Conditions and pandemic protection measures of Museum of Fine Arts Leipzig. Please be advised that due to a limited number of visitors allowed in the venues longer waiting times are to be expected. Thanks in advance for your patience.

For the first time, visitors can also experience the XR works online from anywhere in the world. Explore DOK Neuland online here.

Credits DOK Leipzig Logo

Arash Akbari
Arash Akbari
Arash Akbari
Arash Akbari
Arash Akbari
Farzaneh Nouri
Farzaneh Nouri

Contact DOK Leipzig Logo

Main Contact

Trailer DOK Leipzig Logo

International Competition Short Film
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Kelasi Fransix Tenda Lomba
Visual artist Fransix Tenda Lomba addresses the ideological function of the school in an animated collage: a walk through Congo’s historical education system.
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Kelasi

Kelasi
Fransix Tenda Lomba
International Competition Short Film
Animated Film
Belgium
2021
10 minutes
French
subtitles: 
French, English
World premiere

The first animated film by visual artist Fransix Tenda Lomba is a kind of parcours through Congo’s historical education systems – and an analysis of the ideological function of the institution of the school. Using impressive collages and an always ironic commentary, the film – tellingly produced in Belgium – confronts its Western audience with their own ignorance about the region, challenging both their aesthetic and political thinking.


Borjana Gaković

Screenings & Tickets DOK Leipzig Logo

26.10.
#243
Passage Kinos Astoria
Kelasi + Fati’s Choice
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26.10.2021
Passage Kinos Astoria
#243
Kelasi + Fati’s Choice
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28.10.
#4A2
Cinémathèque
Kelasi + Fati’s Choice
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28.10.2021
Cinémathèque
#4A2
Kelasi + Fati’s Choice
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29.10.
#522
CineStar 4
Kelasi + Fati’s Choice
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29.10.2021
CineStar 4
#522
Kelasi + Fati’s Choice
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Credits DOK Leipzig Logo

Fransix Tenda Lomba
Ellen Meiresonne
Caroline Nugues-Bourchat
Cyril Mossé
Caroline Nugues-Bourchat
Fransix Tenda Lomba
Fransix Tenda Lomba

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Main Contact
Nominated for mephisto 97.6 Audience Award
German Competition
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Kopf Faust Fahne – Perspektiven auf das Thälmanndenkmal Betina Kuntzsch
Ten cinematic perspectives on a historical site: Ernst Thälmann Park in East Berlin. In 1986, an old gasworks made way for a housing estate – and a controversial monument.
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Kopf Faust Fahne – Perspektiven auf das Thälmanndenkmal

Kopf Faust Fahne – Perspektiven auf das Thälmanndenkmal
Betina Kuntzsch
German Competition
Documentary Film
Germany
2021
47 minutes
German
subtitles: 
English
World premiere

For technical reasons – too massive! – this 50-ton bronze colossus was not demolished in 1993. Today it is listed as a historical monument, along with the associated housing estate. A relic from the old days: Today, the raised fist of the former German Communist Party leader and erstwhile GDR hero Ernst Thälmann in the Prenzlauer Berg park defies the collective forgetting of a not-so-long-ago past instead of heralding the victory of communism.

In 1986, an old municipal gasworks in East Berlin made way for a housing estate – and a monument that was controversial even then. Partly imagined, partly remembered and extensively researched throughout, Betina Kuntzsch assembles a complex narrative as part of her project “Vom Sockel Denken” about the Ernst-Thälmann-Memorial in Berlin: about a place full of history, viewed from ten different perspectives. In her omnibus film she skilfully uses various aesthetic and research tools. The successful combination of own footage, animation, archive material and oral history generates a kind of kaleidoscope, a gem of historiographic documentary-making and a parcours through a whole range of documentary film genres.

Borjana Gaković

Screenings & Tickets DOK Leipzig Logo

27.10.
#312
CineStar 2
Pink Mao + Kopf Faust Fahne – Perspektiven auf das Thälmanndenkmal
During Checkout you can apply discounts or your accreditation.
27.10.2021
CineStar 2
#312
Pink Mao + Kopf Faust Fahne – Perspektiven auf das Thälmanndenkmal
During Checkout you can apply discounts or your accreditation.
28.10.
Hauptbahnhof Osthalle
Pink Mao + Kopf Faust Fahne – Perspektiven auf das Thälmanndenkmal

Free entry

FSK recommendation: all ages
28.10.2021
Hauptbahnhof Osthalle
Pink Mao + Kopf Faust Fahne – Perspektiven auf das Thälmanndenkmal

Free entry

FSK recommendation: all ages
29.10.
#533
CineStar 5
Pink Mao + Kopf Faust Fahne – Perspektiven auf das Thälmanndenkmal
During Checkout you can apply discounts or your accreditation.
29.10.2021
CineStar 5
#533
Pink Mao + Kopf Faust Fahne – Perspektiven auf das Thälmanndenkmal
During Checkout you can apply discounts or your accreditation.
31.10.
#743
Passage Kinos Astoria
Teil der Kompilation
will be announced on Friday 29 October 18:00 Online & Box Office Sale will start shortly after
31.10.2021
Passage Kinos Astoria
#743
Teil der Kompilation
will be announced on Friday 29 October 18:00 Online & Box Office Sale will start shortly after

Credits DOK Leipzig Logo

Betina Kuntzsch
Maria Wischnewski
Sven Boeck
Martin Langner
Claire Roggan
Betina Kuntzsch
Joachim Gies
Michael Walz
Betina Kuntzsch
Betina Kuntzsch

Contact DOK Leipzig Logo

Main Contact
Maria Wischnewski

Trailer DOK Leipzig Logo

Nominated for DEFA Sponsoring Prize, VER.DI Prize for Solidarity, Humanity and Fairness