Ugo Ulive left his native Uruguay in 1967 to move to the Venezuelan capital of Caracas, where two years later he realised three short films at the newly founded Centro de Cine Documental de la Universidad de los Andes: “Caracas: dos o tres cosas”, “Diamantes” and “Basta!”. The latter was part of the Leipzig retrospective “Film in the People’s Struggle for Liberation: Latin America” in 1972. Inspired by Antonin Artaud’s concept of the “Theatre of Cruelty”, it stands out for disturbing images of an autopsy that reveal the degree of dehumanisation under the influence of imperialism. In “Caracas: dos o tres cosas”, also in the form of an experimental collage, Ulive, roaming the streets of Caracas with his camera, contrasts the public face of a divided society with audio fragments from radio, advertising and pop music.

Florian Wüst

Pesticides wipe out the insects, the oil spills into the ocean, the forests burn: In 1994, director Laila Rakvåg let a bird fly over and through the ecological, human-made hotspots that plague us even today to a far worse extent. Sometimes the bird is able to land in beautiful natural surroundings, but the rest is never permanent, paradise is always on the brink of the next hellish transformation. The further the bird flies, the more human its features become: It becomes a baby that is then actually born – and carries the memories of the bird in its newly opened eyes. We are inseparably linked to nature; what we do to it, we do to ourselves: Rakvåg’s film is an activist plea for more empathy with our planet and a change of thinking, told from the perspective of an expectant mother.

Marie Ketzscher