The struggle for liberation of the people in Latin America in the 1960s/70s was a recurring theme of politically engaged film festivals on both sides of the Wall. The resulting connection between Leipzig, East Berlin and West Berlin is evidenced by the analogue film material of militant cinema from countries like Argentina, Chile or Cuba that is held in the archive of Arsenal Filminstitut and the German Federal Archives today.
The Chilean folk group Illapu only really became famous under the military dictatorship. The five musicians were allowed to work, but had to “keep a low profile”. When they gradually joined the cultural resistance against the Pinochet regime, they were expelled in 1981. From their French exile, they toured Europe, including East Berlin. This is where Carlos Puccio’s film begins: The Chilean directing student observed Illapu’s rehearsals and concerts for his diploma film project at the Film and Television Academy of the GDR. They talk about their enduring bond with Chile and about what would happen if individual members of the band were given entry permits and Illapu would consequently break up. In 1986, they moved to Mexico together and returned to Chile two years later because of the changing political climate.
Florian Wüst
