When Quang’s sister Mai becomes pregnant out of the blue, one thing is clear to him: this new chapter in their lives will change the family forever. He picks up his camera. He works on the film on the film for seven years, collecting photos, diaries and telephone conversations. Using a DIY scrapbook aesthetic, he weaves the present together with memories and images from the past. We travel with Quang back to his youth in the northern Vietnamese province of Lào Cai near the Chinese border. Nine years his senior, his sister Mai introduces him to cool music and trendy fashion, while his mother Cuc dreams of a traditional family. This is a dream that is slipping ever further out of reach: her son is gay and her daughter is living with schizophrenia. As an adult, Quang moves to Hanoi, where he can finally feel free, and his distance from his family grows. Years later, Baby Guava brings Quang closer to his family again. The child brings them together, but also lays old tensions bare. Different ideas about what constitutes a “normal” life have long been met with silence. With brutal honesty and intimate, sometimes uncomfortable insights, Quang looks at his family and the unspoken pain and resentment that stand between them. And he also shows the hopes and efforts at finding understanding and acceptance despite everything in order to provide Baby Guava with a loving environment.

Seggen Mikael

Chinese expat artist Viv Li ends up in Berlin during the pandemic. Her inquisitive attempts to enter the city’s queer subculture sound different when she tries to tell her Maoist-influenced relatives in Beijing about her experiences – the film smoothly navigates between cultures, in search of where the boundaries of adaptability lie and where individual identity starts. Yet Li is never interested in playing one world off against the other, choosing instead to approach both of them with frankness and a healthy dose of humour and playfulness. She places songs by Trio and Juliane Werding over impressions of Chinese sights, stages the escape from Beijing’s tightly-knit surveillance network as a virtuoso gangster ballet and has Mao rise up from behind a mountain range to ask with fatherly concern: “Are you okay?”

Felix Mende