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International Competition Animated Film
Filmstill Awaken, My Children
Awaken, My Children
Christopher Galinos
From through the thick smoke, the creation monster speaks to us, more animal than god. It regrets its biggest mistake of all: creating civilisation. Just what have we done?
Filmstill Awaken, My Children

Awaken, My Children

Awaken, My Children
Christopher Galinos
International Competition Animated Film
Animated Film
Estonia,
South Africa
2026
19 minutes
Afrikaans
Subtitles: 
English
International Premiere
It speaks from the thick smoke, first with one voice, then with two. I already knew you, it says, when you still had no form, I see you. The voice is deep, it regrets its biggest mistake: creating civilisation, which has multiplied, spiralled out of control, become all-encompassing. Christopher Galinos’s atmospherically charged experimental film moves back and forth between a lament and a (bad) dream. We don’t know who we’re supposed to sympathise with here: is it the 3D creature akin to a wooden sculpture whose long hands hold a small ball? Or is it the male figures that come forth upon the shimmering fabric, eventually covering its entire surface? Are we these figures? Galinos confronts us with these questions and ideas about creation myths and releases us again, lost in thought.

Marie Ketzscher

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27.10.
#251
CineStar 7
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27.10.2026
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28.10.
#341
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28.10.2026
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29.10.
#4C1
Cinémathèque in der naTo
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29.10.2026
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31.10.
#674
Passage Kinos Wintergarten
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31.10.2026
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Credits DOK Leipzig Logo

Director
Christopher Galinos
Cinematographer
Christopher Galinos
Editor
Christopher Galinos
Producer
Lyza Jarvis
Sound
Lodewyk Barkhuizen
Animation
Christopher Galinos
Animation Technique
Live Action, 2D Digital

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Nominated for: mephisto 97.6 Audience Award
International Competition Animated Film
Filmstill Broken Glass
Broken Glass
Kateryna Voznytsia
The ingredients are sugar, silicon and plastic filaments. While making a zoetrope jelly, the director reflects on the birth of her daughter and her own excessive perfectionism.
Filmstill Broken Glass

Broken Glass

Broken Glass
Kateryna Voznytsia
International Competition Animated Film
Animated Film
Ukraine
2026
7 minutes
Ukrainian
Subtitles: 
English
European premiere
While taking care of her young daughter, the director makes jelly. She reflects on the birth of her child and her own excessive perfectionism, which also extends to her artistic practice. The simple dessert develops into a “zoetrope pudding”. Once she lets go of her need for precision and allows relaxed playfulness into the working process, she succeeds in making a multi-layered cinematic dish. Its ingredients: sugar, silicon, plastic filaments. Kateryna Voznytsia manages many things at once here: to intelligently bridge the gap between contemporary working methods and historical techniques from the early cinema era and sensitively question her role as a mother, woman and filmmaker, all while also maintaining a loving bond with her daughter.

Franka Sachse

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27.10.
#231
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27.10.2026
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27.10.
#242
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27.10.2026
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29.10.
#471
Passage Kinos Wintergarten
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29.10.2026
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31.10.
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31.10.2026
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Credits DOK Leipzig Logo

Director
Kateryna Voznytsia
Producer
Kateryna Voznytsia, Yulia Serdyukova
Sound Design
Anton Prykhodko
Score
Anton Prykhodko
Animation
Kateryna Voznytsia
Animation Technique
Mixed Media, Other, Objects

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Main Contact
Kateryna Voznytsia
kate.voznytsia@gmail.com
Nominated for: mephisto 97.6 Audience Award
International Competition Animated Film
Filmstill Decay
Decay
Juan Camilo González
Can the evil spirit of a person too close to you be banished by animation, just as one would use fireworks? A marvelously well-thought-out experiment to fight one’s own emotional decay.
Filmstill Decay

Decay

Decaer
Juan Camilo González
International Competition Animated Film
Animated Film
Colombia
2025
7 minutes
Spanish
Subtitles: 
English
German premiere
In an attempt to come to terms with the greatest act of violence that can happen in a father-son relationship, the cinematic first-person narrator initially comes to some logical conclusions: The Chinese once invented gunpowder, which can be used in the form of fireworks to drive out an evil spirit. Fireworks are a precursor of film animation; therefore, animation serves the same purpose. Intense brushstrokes and the material structure of the animated drawings, repeated runs through the sequences and the impressive interplay between visual and acoustic abstraction and figuration, in order to find an expression for the unspeakable, powerfully convey the emotional turmoil. However, the laborious process of drawing the single frames for this animation also creates an unwanted intimacy between the narrator and his evil spirit. Drawing from a personal story of trauma, Juan Camilo González develops an incredibly well-designed experimental setup, which, in its failure, brings back the horror all the more violently.

André Eckardt

Contains mentions of mental health conditions, murder

Photosensitivity warning: Contains flashes of light that may trigger seizures for people with visual sensitivities.

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27.10.
#242
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27.10.2026
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28.10.
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28.10.2026
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29.10.
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29.10.2026
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30.10.
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30.10.2026
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Credits DOK Leipzig Logo

Director
Juan Camilo González
Script
Juan Camilo González
Cinematographer
Juan Camilo González
Editor
Juan Camilo González
Producer
Bibiana Rojas
Sound
Carolina Lucio
Sound Design
Carolina Lucio
Animation
Juan Camilo González, Diego Cortés, Carla Melo, Julian Arias, Julian Camilo García, Andrea Muñoz
Animation Technique
Drawn

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Main Contact
Juan Camilo González
j.gonzalezj@uniandes.edu.co
Nominated for: mephisto 97.6 Audience Award
International Competition Animated Film
Filmstill Extinction Story
Extinction Story
Claudia Larcher
Consisting of 4500 fragile natural artworks, the grandfather’s bird egg collection is an inheritance that reveals its collector’s 20th century biography: Josef Schreiber from Vorarlberg.
Filmstill Extinction Story

Extinction Story

Extinction Story
Claudia Larcher
International Competition Animated Film
Animated Film
Austria
2026
17 minutes
English
Subtitles: 
None
World premiere
The legacy: grandfather’s collection of bird’s eggs. 4,500 graceful, fragile works of art created by nature; speckled, elongated, pastel-coloured … An orderly confined enclosure of uniform boxes houses the preserved cocoons of the stolen, thwarted offspring of birds of prey and non-predatory birds, from Norway to South Africa. With the legacy comes the story of the collector: Josef Schreiber from Vorarlberg, Central Europe – a middle-class, white, male biography of the 20th century in which order was lost, slipped, had to be reimagined, both on the grand scale and on the smallest private level. Claudia Larcher’s extraordinary essay film is an unflustered tale of restlessness. Personal photos, views of collection pieces and small AI-generated miniatures are overlaid by electronic sounds that seem to communicate with the algorithms of the shell patterns, and a spoken line of thought that traces, sorts and keeps together almost 100 years of change with breathtaking clarity.

André Eckardt

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27.10.
#274
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27.10.2026
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28.10.
#351
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28.10.2026
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29.10.
#442
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29.10.2026
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31.10.
#631
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31.10.2026
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Credits DOK Leipzig Logo

Director
Claudia Larcher
Script
Claudia Larcher
Cinematographer
Claudia Larcher
Editor
Claudia Larcher
Producer
Claudia Larcher
Sound Design
Ursula Winterauer
Animation
Claudia Larcher
Animation Technique
Augmented Reality, 2D Digital

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Main Contact
Gerald Weber
World Sales
Gerald Weber
sixpackfilm
office@sixpackfilm.com
Nominated for: mephisto 97.6 Audience Award
International Competition Animated Film
Filmstill Glaube Sitte Heimat
Glaube Sitte Heimat
Fidel Sievering, Bennet Staack
Helpless rituals and the smell of time gone stale: an offbeat, honest portrait of a village that used to live from mining and where successful structural change seems unwilling to take hold.
Filmstill Glaube Sitte Heimat

Glaube Sitte Heimat

Glaube Sitte Heimat
Fidel Sievering, Bennet Staack
International Competition Animated Film
Animated Film
Germany
2026
30 minutes
German
Subtitles: 
English
World premiere
A visit to the place of one’s childhood, where love and hope seem to have made off long ago and mining parades, booze-ups and helpless adolescent rebellion with techno music around the campfire have become ritualized. With an unerring gift for observation and structure, Fidel Sievering and Bennet Staack convey the worn-out quality and smell of a Rhenish town that used to live on mining and where successful structural change refuses to move in. Here, time stood still a long time ago. The people move awkwardly through the narrow streets and corridors, like digital puppets with glitchy motor functions. The only ray of light is the old, discarded plans for the future of the place that are unearthed from a sealed mineshaft as a test of courage. Working with sometimes off-kilter scenes and sounds, found audio-testimonies and an uncompromising digital design, “Glaube, Sitte, Heimat” speaks honestly about decorative wall plates and suppressed pain, but also about an unshakeable belief in the “New Dream”.

André Eckardt

Contains depictions of drug-use, nudity, physical violence

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27.10.
#2C1
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27.10.2026
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28.10.
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28.10.2026
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28.10.
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30.10.
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30.10.2026
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Credits DOK Leipzig Logo

Director
Fidel Sievering, Bennet Staack
Producer
Fidel Sievering, Bennet Staack
Animation
Fidel Sievering, Bennet Staack
Animation Technique
3D Digital

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Main Contact
Fidel Sievering
fidelsievering@gmail.com
Nominated for: mephisto 97.6 Audience Award, Gedanken Aufschluss Prize
Opening Film,
Fokus Ost
Filmstill Good Evening, Beautiful
Good Evening, Beautiful
Ina Borrmann
“A little flame that lit up and inspired people to tell different stories about the GDR.” Almost fifty years later, the female protagonists look back once more at the iconic book from 1977.
Filmstill Good Evening, Beautiful

Good Evening, Beautiful

Guten Abend, du Schöne
Ina Borrmann
Opening Film,
Fokus Ost
Documentary Film
Germany
2026
95 minutes
German
Subtitles: 
English
World premiere

„A little flame that lit up and inspired people to tell different stories about the GDR.” This is how a protagonist describes the 1977 book “Guten Morgen, du Schöne” (Good morning, beautiful) by the writer Maxie Wander, a collection of records in which a wide variety of women talk about themselves. One of the most successful books in the GDR and one of the most influential in German literary history: It affected generations of women (and men!) and encouraged them to question their own lives – ample reason for the director to let a few of the women look back on the book and their lives today. It is about equal rights and emancipation, life plans and rebellion, dreams and failure, love and sexuality, mothers and fathers, men and women, happiness and loneliness, death and, above all, the hunger for life. With respect and great tenderness, Susanne Schüle films faces and bodies on which time has left its mark. Age and beauty, fragility and strength. On the visual level, the stories are subtly commented on by amateur footage: bodies marching in step to the ideologies, Hitler salutes and mass rallies. Again and again contrasted with naked bodies, the wild and non-conformist life beyond the dictatorships. War, peeling potatoes, kisses, children. This is how it was. This is how it is. In the end, the monologues of the past lead up to a contemporary dialogue between the sexes and generations. A flame.

Grit Lemke

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26.10.
Hauptbahnhof Osthalle
Opening Film: Guten Abend, du Schöne

Free entry

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26.10.2026
Hauptbahnhof Osthalle
Opening Film: Guten Abend, du Schöne

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29.10.
#411
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Guten Abend, du Schöne
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29.10.2026
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01.11.
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01.11.2026
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Credits DOK Leipzig Logo

Director
Ina Borrmann
Script
Ina Borrmann
Cinematographer
Susanne Schüle
Editor
Julia Albrecht
Producer
Ina Borrmann , Marc Wächter
Sound
Nic Nagel
Sound Design
Adrian Lo
Score
Adrian Lo

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Main Contact
Shoot from the hip Filmproduktion GmbH
info@shootfromthehip.de
German Distributor
Salzgeber & Co. Medien GmbH
International Competition Animated Film
Filmstill Heralds of the Monsoon
Heralds of the Monsoon
Meera Krishnamurthy
Who has the elephant on their conscience? A Matti tree and a butterfly conduct an investigation together. An ecological whodunit, with climate change as the key suspect.
Filmstill Heralds of the Monsoon

Heralds of the Monsoon

Mungarina Ette
Meera Krishnamurthy
International Competition Animated Film
Animated Film
India
2025
9 minutes
Kannada
Subtitles: 
English
German premiere
The elephant is dead! But who or what has it on their conscience? Staged as a blend of ecological whodunit and fleetfooted documentary, Krishnamurthy’s animated film brings two different perspectives together. There is the wise voice of the Matti tree, which, like the Indigenous Soliga community, has found its own traditions and rituals for dealing with nature. And then there is the academic, discursive voice which conveys insights in the form of a butterfly. They also each have their own approaches to presenting their ideas about what really happened to the elephant: the Matti tree sings its pearls of wisdom which are visualised by way of drawings and timelapse; the butterfly prefers to make the most recent scientific developments visible as a stop motion sequence in the laboratory. The two of them slowly get closer to each other – for only together will they catch the murderer.

Marie Ketzscher

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27.10.
#272
Passage Kinos Wintergarten
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27.10.2026
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29.10.
#451
CineStar 7
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29.10.2026
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29.10.
#442
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29.10.2026
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30.10.
#5A1
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30.10.2026
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Credits DOK Leipzig Logo

Director
Meera Krishnamurthy
Script
Mahesha J, Meera Krishnamurthy, Samira Agnihotri, Vinay K Kumar
Producer
Samira Agnihotri, Ankila Hiremath
Sound
Shikari Kethegowda, Samira Agnihotri
Sound Design
Meera Krishnamurthy
Animation
Meera Krishnamurthy
Animation Technique
Mixed Media, Objects

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Main Contact
Meera Krishnamurthy
k.meera28@gmail.com
Nominated for: mephisto 97.6 Audience Award
International Competition Animated Film
Filmstill Kitzel
Kitzel
Mona Keil
Two fluffy creatures play together affectionately, but their frolics soon turn uncomfortable, as cuddling becomes a free-for-all and boundaries are crossed. A film to get under the skin.
Filmstill Kitzel

Kitzel

Kitzel
Mona Keil
International Competition Animated Film
Animated Film
Germany
2026
4 minutes
without dialogue
Subtitles: 
None
World premiere
What starts as affectionate cuddling, hugging and strokes soon morphs into uneasy closeness and ultimately panic. The shift takes place gradually. Some gentle tickling marks the point where a boundary is approached, which is soon crossed. The playful exchange between these two fluffy characters transforms inexorably into a free for all that’s no longer funny. The puppet design, the precise animation, the lighting and the camerawork make intimacy tangible in all its facets, from pleasant to repulsive. A film that gets under the skin.

Franka Sachse

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27.10.
#271
Passage Kinos Wintergarten
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27.10.2026
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#271
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28.10.
#322
CineStar 4
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28.10.2026
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#322
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29.10.
#481
UT Connewitz
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29.10.2026
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01.11.
#7A3
Schaubühne Lindenfels
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01.11.2026
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Credits DOK Leipzig Logo

Director
Mona Keil
Cinematographer
Maya Vieth
Editor
Revan Sarikaya
Producer
Alma Weber
Sound
Martin Recker
Animation
Mona Keil
Animation Technique
Puppets, Clay

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Nominated for: mephisto 97.6 Audience Award
International Competition Animated Film
Filmstill Lice n’ Shine
Lice n’ Shine
Maria Byoma
An amusing, affectionate portrait of the everyday life of teenage girls in the sensitive ecosystem of a boarding school, where an entirely normal morning can quickly give way to chaos.
Filmstill Lice n’ Shine

Lice n’ Shine

Lice n’ Shine
Maria Byoma
International Competition Animated Film
Animated Film
Uganda
2026
6 minutes
without dialogue
Subtitles: 
None
International Premiere
At the Kikomera home for girls, the mood is relaxed. Everyone is looking forward to the holidays. Babura is feverishly awaiting her trip to the hairdresser, but her plans are scuppered by her friend Njuki, who attracts chaos like a magnet. Director Maria Byoma also took on the role of screenwriter, animator and producer for this film and has created a humorous, energetic study for a future series in which African stories of striking visual identities will be told with creative freedom and local voices.

Franka Sachse

Trailer DOK Leipzig Logo

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27.10.
#271
Passage Kinos Wintergarten
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27.10.2026
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28.10.
#322
CineStar 4
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28.10.2026
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#322
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29.10.
#481
UT Connewitz
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29.10.2026
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#481
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01.11.
#7A3
Schaubühne Lindenfels
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01.11.2026
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Credits DOK Leipzig Logo

Director
Maria Byoma
Producer
Maria Byoma
Animation
Maria Byoma
Animation Technique
2D Digital

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Nominated for: mephisto 97.6 Audience Award, Gedanken Aufschluss Prize
International Competition Animated Film
Filmstill Magic Atlas
Magic Atlas
Xun Sun
Working for 10 years, hundreds of animators have created a whole vast empire of history, philosophy and satire. A fictional dictatorship of camera mosquitos and imprisoned sorcerers.
Filmstill Magic Atlas

Magic Atlas

Magic Atlas
Xun Sun
International Competition Animated Film
Animated Film
Singapore
2026
84 minutes
Chinese
Subtitles: 
English
German premiere
At once animal and human, past and future: in its very first minutes, Sun Xun’s epically constructed animated film already opens up a visually exuberant narrative universe in which philosophical observations and an oppressive social satire merge in excitingly associative fashion. The director worked with hundreds of animators for more than ten years to bring “Magic Atlas” to the big screen – by way of woodcut animation, ink drawings, contemporary painting and Persian miniatures, while deliberately avoiding rotoscoping and other techniques not based in analogue image-making. Magic and escapism are urgently needed, for the fictional coal empire of Luocha imagined by Sun Xun is ultimately a totalitarian dictatorship whose inhabitants are kept in check by camera mosquitos and collectively-ordered amnesia. And magicians end up in prison, because flying – or even letting your imagination run wild – is considered suspicious in Luocha. When one magician comes across the orphan boy Xiao Zhi, magic (mental) possibilities emerge to escape this captivity – or is it voluntary surveillance? Reincarnation becomes an opportunity for liberation here in suitably vivid fashion.

Marie Ketzscher

Contains depictions of physical violence, drug-use, child abuse

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29.10.
#444
CineStar 6
Magic Atlas
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29.10.2026
CineStar 6
#444
Magic Atlas
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30.10.
#5C1
Cinémathèque in der naTo
Magic Atlas
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30.10.2026
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#5C1
Magic Atlas
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31.10.
#661
Passage Kinos Astoria
Magic Atlas
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31.10.2026
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Magic Atlas
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Credits DOK Leipzig Logo

Director
Xun Sun
Script
Xun Sun, Mingchun Gong, Yuehao Kuai
Cinematographer
Chong Xu, Liang Zhao, Tianwei Dai
Editor
Xun Sun, Xingye Chen, Chong Xu
Producer
Xun Sun, Xiaobo Zhang
Sound
Yicheng Yang
Animation
Yanping Yu, Fengli Lai, Jing Deng, Xingye Chen, Jing Cui, Tianwei Dai, Xun Sun
Animation Technique
Painting, Other, Drawn

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International Competition Animated Film
Filmstill Melk
Melk
Filip Anthonissen
Charel is the odd man out in the village community. In an attempt to gain recognition, he naively prowls through biblical history – and fails. Masterfully animated, absurd folk horror.
Filmstill Melk

Melk

Melk
Filip Anthonissen
International Competition Animated Film
Animated Film
Belgium
2026
14 minutes
Dutch
Subtitles: 
English
German premiere
Charel the bachelor is the odd man out in a small village community of simple-minded oddballs. They grumpily let him now that he does not live up to the manly character of his name anyway. A careless moment with the beloved fish of his otherwise hard-hearted mother catapults him from the outsider position into the centre of an unfortunate chain of events. Full of good intentions and hopes of recognition, he poaches his way through the biblical story and returns with a heavenly child. Not part of his plan: The village does not see him as a divine messenger but as the Horned One. “Melk” portrays its Bruegel-like, robust characters precisely, down to the smallest facial twitch and squeaky voice, subtly interweaving the absurd and the everyday and plundering art history shamelessly yet skilfully to distort a peasant play into a folk horror tale. It’s for films like this that animation was invented.

André Eckardt

Contains depictions of violence against animals, murder, physical violence

Screenings & Tickets DOK Leipzig Logo

27.10.
#251
CineStar 7
Teil der Kompilation
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27.10.2026
CineStar 7
#251
Teil der Kompilation
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28.10.
#341
CineStar 6
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28.10.2026
CineStar 6
#341
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29.10.
#4C1
Cinémathèque in der naTo
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29.10.2026
Cinémathèque in der naTo
#4C1
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31.10.
#674
Passage Kinos Wintergarten
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31.10.2026
Passage Kinos Wintergarten
#674
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Credits DOK Leipzig Logo

Director
Filip Anthonissen
Script
Filip Anthonissen
Editor
Filip Anthonissen
Producer
Brecht Van Elslande
Sound
Nicolas Snyder
Animation
Filip Anthonissen
Animation Technique
3D Digital

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Main Contact
Luce Grosjean
World Sales
Luce Grosjean
Miyu Distribution
festival@miyu.fr
German Distributor
Luce Grosjean
Nominated for: mephisto 97.6 Audience Award
International Competition Animated Film
Filmstill no_mercy_in_Mexico
no_mercy_in_Mexico
Oscar Asán
Pop-cultural set pieces from games and the internet fuel a delirious fascination with the brutal mentality of the drug cartels. But what if the game turns deadly serious?
Filmstill no_mercy_in_Mexico

no_mercy_in_Mexico

no_mercy_in_Mexico
Oscar Asán
International Competition Animated Film
Animated Film
Mexico
2025
23 minutes
Spanish
Subtitles: 
English
German premiere
In an appeal to a lost friend, a first-person narrator raves about their shared future after the friend returns: fancy cars, big guns and submissive women. The fantasy soars like a bird over the Sierra, a digitally modulated landscape whose holes and glitches show that there is something basically wrong here. Game over, the playfulness turns deadly serious, the friend is in the hands of drug cartel killers. Fictional but close to reality, the film associatively assembles pop-cultural audio, video and gaming material from the internet to describe the intoxicated fascination with a perversely fetishised, violence-glorifying winner mentality. This idolisation comes up against a dead end on a web portal showing real video recordings of bestial brutality. Disarmingly clear and incredibly poignant, Oscar Asán analyses how ruthlessly a cartel divides the people of Culiacán into murderers and murder victims.

André Eckardt

Contains mentions of drug-use, death, murder

Contains depictions of physical violence, torture

Trailer DOK Leipzig Logo

Screenings & Tickets DOK Leipzig Logo

27.10.
#242
CineStar 6
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27.10.2026
CineStar 6
#242
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27.10.
#2C2
Cinémathèque in der naTo
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27.10.2026
Cinémathèque in der naTo
#2C2
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28.10.
#331
CineStar 5
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28.10.2026
CineStar 5
#331
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01.11.
#721
CineStar 4
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01.11.2026
CineStar 4
#721
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Credits DOK Leipzig Logo

Director
Oscar Asán
Script
Oscar Asán
Cinematographer
Oscar Asán
Editor
Oscar Asán
Producer
Oscar Asán
Sound
Bruno Galar, Juan Jiménez, Octavio Sánchez
Score
Natanael Cano, Mabe Fratti, Octavio Sánchez
Animation
Oscar Asán
Animation Technique
3D Digital, Other, Motion Graphics

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Main Contact
Josep Prim
World Sales
Josep Prim
Marvin&Wayne S.L.
fest@marvinwayne.com
Nominated for: mephisto 97.6 Audience Award