Tattooed skin, harbour music, the horror of a shipwreck, the fog bells of a lighthouse, the changing of the tides. This film about the glorious and deadly ocean, which pulls you down into the depths of the sea, is the result of an interoceanic workshop that uses the creative mechanisms of the cadavre exquis technique. An intuitive tale arises from a collective act of creation.

A giant ginger mountain landscape that five cooks spent a week to make: Once magnificent culinary works of art were created in Chinese restaurants. Food was associated with a wealth of money and time. The world today is short-lived, customers have become few and far between. Chefs talk about the connection between food culture and socio-economic change in China.

Bizarre animations of strange beauty on a metal plate, set to Free Jazz. Light reflexes. Lines and circles that take on human or insect form, merge and dissolve. Sometimes a voice from offscreen gives directions, demands a new plate. Then everything starts again – but differently. The realization dawns slowly: This is an expedition to an underworld that generates silently communicating ghost lights.

Lu and Wei live in a village in rural China. The young girls often go to the nearby river to play or fish with their fathers. The river has a special meaning for them because China’s one-child policy has led to some parents drowning their newborn daughters there. A poetic and touching animation in which Weijia Ma explores the consequences of this tragic chapter in the lives of many Chinese families.