A film is ceremonially screened on the 40th anniversary of the murder of the resistance group around KPD (Communist Party of Germany) functionary Georg Schuman. Present is Horst Schumann, son of the resistance fighter and 1st Secretary of the SED Leipzig District Authority. The filmed document and the documented screening become propaganda accomplices: The GDR present perpetuates the history of NS resistance.

Journalism in the U.S. is in crisis. Jestin Coler, also known as the “fake news king”, most likely contributed to this when headlines from his satirical web page were picked up and believed by the mainstream. Coler describes fake news as a gateway drug and, ironically, as an antidote at the same time. In her film, director Laura Gamse scrolls through news and memes and thereby impressively comments on the state of Western societies.

Ingeborg Tölke recaps her filmic biography, explains its elaborate technical conditions and talks about future core themes. She was presumably responsible for several short intermission films for Deutscher Fernsehfunk as well as a commissioned educational film. Until old age, she explored the possibilities of macro shots and time-lapse technology, which became her trademark.

Romantic train rides? Rapid cuts and pans show the profane, hectic everyday life of a big city that has no time for romance. The “last mile” to the place of actual departure is covered at a quick pace – by taxi, streetcar or bus. Serious, tired or withdrawn faces hurry to leave the inhospitable station forecourt behind.

The stereotypical idea of pregnancy is a challenge for persons who do not define themselves as female only. This auto-theoretical essay explores the future of the family and non-binary reproduction scenarios in which all bodies can become pregnant. We travel into the womb of a posthuman and follow speculations about the de-feminisation of childbearing.