Impressions of a flat, only a few things are captured. A drive on the backseat of a car. One can only suspect that there is an outside. A shadow on the carpet that belongs to another flat. This place is safer. There is a balcony over whose balustrade one had better not look. The woman behind the camera is glimpsed in the reflections on the windowpane. Shots ring out frequently. They say a kiosk was bombed. No, two. They say the Free Syrian Army is building a barrier in front of the house one had to leave behind along with one’s past, dreams and hope. The fear grows “every day”. Everybody knew that Syria was free, would stay free and never accepted any dictatorship, the TV set announces.
In her video diary Reem Karssli paints the sensitive portrait of a family whose members must cope with reality in very individual ways “every day”, a reality “even harsher, uglier” than what the camera is able to capture. A rare document, powerful in its extreme immediacy, which only a miracle could have brought out of this flat.