In September 1992, four tower blocks in the town of Mantes-la-Jolie, not far from Paris, were demolished. They were part of the Val Fourré district, which was celebrated as a flagship social housing project in the 1960s, as archive footage reminds us at the beginning of the film. But filmmaker Dominique Cabrera, who grew up in a similar housing project herself, is not concerned with urban planning or architectural failures. Instead, she is interested in the residents’ memories: remembrances of the poor and the wealthy living together, of insidious but persistent decline, but above all of the beautiful things that make up a life, the variety, the emotions, the personal happiness.