A white model of a home stands broken, shelled out, is re-animated with augmented reality. Through the recollections of two Syrians and a touch of animation, home becomes reconstructed. While this project is tied directly to the war in Syria, the model stands as a universal reminder of the horrors of war in general, as well as the power of memory.

Set in a future museum, the work is an extravagantly sardonic look at the colonial machine through historical and imagined objects, pop-up ads and Easter eggs. At its heart is a painting of 17th-century explorer Abel Tasman, who has returned to colonise new lands for Dutch climate refugees. A hyper-collage of epic proportions where audio follows gaze.