In his early twenties, Mwita Mataro set himself three big goals: become a rock star, make a film, and then found an art school in Tanzania. He has already accomplished the rock star part – he is the frontman of a band. And this film is his directorial debut. There was a choice of many subjects, something beautiful like friendship, for example. But there is one thing that bothers him more than his white film colleagues, and that is the colour of his skin. So what does it mean to grow up as a Salzburg native with Tanzanian roots, as a Black Person of Colour in predominantly white Austria? To investigate this, he has teamed up with young BPoCs to create the animated fantasy world Greenland: a place where all the potato creatures are green except Bluekid and his blue family. They paint themselves green to be less conspicuous, but since this does not always work out, Bluekid experiences rejection and marginalisation.

In his documentary essay, Mataro reflects on a daily reality based on colours: racism, alien attributions, otherness, blues experiences in Greenland. He listens to children and adults, lets the audience participate in talks with pedagogues, psychologists and politicians and opens up in front of the camera at home. With “Austroschwarz”, Mataro also comes one step closer to his third goal.

Can school be exciting and even fun? The integrative pre-vocational August Sander school in Berlin-Friedrichshain at least seems the perfect place for this. The noise of the cars of the big city can be heard from the distance, birds are singing on the lush green grounds. Lessons here include horticulture, agriculture and animal care. And when you watch the students weed garden plots and feed rabbits, things look extremely enviable at first glance. But of course, even in this paradisiacal place there are conflicts, annoying teachers and the anxious question: What comes after graduation?
This documentary follows the school life of a group of pupils with different learning disorders and other impairments over one school year. At its focus are young people who are on the way from training to work, from childhood to adulthood, and struggle to find their place in the narrow regulatory system of school and in society.

Fanta is 14 years old and lives in Conakry, the capital of Guinea in West Africa. Besides school and her household chores, she spends every free minute training at the acrobatics circus. One day, the return of the country’s big star is announced. Balla Moussa Bangoura, founder of the Amoukanama Circus Company, is returning from an international tour and now plans to rehearse a new show with his troupe. Training gets harder, because only the best will be in it at the end.
Of course, Fanta is determined to give everything to be one of the few girls travelling the country with Balla Moussa Bangoura. Every day, she is torn between caring for her sick mother, housework, schoolwork and what she thinks she loves best. Supported by her family on the one hand, striving to fulfil all expectations on the other, Fanta begins to doubt: What does she really want? Marjolijn Prins delivers the atmospherically dense portrait of an extraordinary girl, connected by rousing musical numbers, spectacular acrobatics and dream-like acting sequences.

The summer holidays are over, the new school year has started, suddenly everything and everyone is different. Ben, twelve years old, is just entering puberty and learns that he, too, has changed somehow. All of a sudden, his weight appears to be a problem – for him and for everyone around him. The kids at school start bullying him, his divorced parents are at a loss, even the school nurse is worried about him. So despite his love of eating and cooking, Ben decides to take drastic measures and prescribes himself a diet. Fortunately, the boy can count on the support of his crazy family and his friends Erik and Sonia. And perhaps he does stand a chance with his crush Klara after all. In the end, Ben will learn that it is not so much about the way you look but about the way you feel. An endearing clay animation with a happy ending.

We are travelling back in time to the early 19th century on the south coast of England. This is where Mary Anning lives, a 12-year-old girl who is inquisitive, persistent and fascinated by fossils. She spends every free minute at the beach to look for the fossilised remains of long extinct animal species in the strata of her hometown’s coastal cliffs. Her father, too, is an enthusiast and earns a little extra for his family by selling fossils. When he disappears after the collapse of a cliff, Mary’s life is shaken. All that her father leaves behind is a mysterious drawing whose meaning Mary only gradually makes out. She is determined to uncover the secret together with unexpected allies. An entertaining and warm-hearted biopic about one of the first female palaeontologists.

19-year-old Maydegol fled from Afghanistan to Iran with her family. Here she tries to make her big dream come true: She wants to be a professional Muay Thai boxer. The sport not only gives her strength for her gruelling daily life, but is also meant to help her get out of this inhospitable exile at last and work towards social change in Afghanistan. In order to be able to afford the training, Maydegol works every spare minute without her parents’ knowledge, including on fruit and vegetable plantations. She reflects on her apparently hopeless situation with friends from her boxing club: stuck in a foreign country, without documents and without prospects. The young women do not give up, though; they state clearly what they think, what they demand and what they expect from life.
Maydegol’s expectations are as special as she is. The likeable, captivating protagonist not only impresses with her persistence, but also with her authentic personality, which shines through in this documentary – even in the dark moments.

Karla is a dreamer, Karla is charismatic, and Karla is trans. She grows up with her parents in the small Mexican town of Tepoztlán. She loves to wear make-up and dress up. But sometimes, when the world is too much for her, she hides in her room for hours. Fortunately, Karla has friends and a family who support, often understand and sometimes challenge her.
Trans filmmaker Kani Lapuerta followed the daily life and transition of his protagonist over a period of eight years. The result is a colourful, playful and political coming-of-age story told from a trans perspective. Together, Karla and Kani create a cinematic space where their fantasy is as important as their identity – and where both flow into each other. The title of the film refers to a possible gender-neutral form of the Spanish term “niños” that also includes non-binary, trans and gender-fluid children. “Niñxs” is a touching, encouraging film about childhood, creativity and self-empowerment – and a compelling plea for a world in which everyone is simply allowed to be themselves.

Jamila is nine, Rachel eleven and Faseeha twelve when they take their first steps into a new hip-hop culture. The Berlin girls meet at a rap project, become friends and take off with their Sisterqueens crew. This documentary follows them over four years through their daily life with parents, siblings and their unusual chosen hip-hop family, where they learn a lot about hook lines and even more about self-respect.
We watch the three at rehearsals, studio recordings and stage performances, where they counter the well-known gender clichés of rap with their own songs. They also discuss their experiences with racism and exclusion and turn what happens to them into rhymes. Faseeha tests the boundaries with other artistic forms of expression, Rachel thinks about what self-determination means to her, and Jamila witnesses a frightening incident that makes her doubt the sanity of the police. They formulate their ideas and questions about what it means to be themselves, always with humour and to the point.