Jesús arrives at a housing and employment reincorporation centre, after living on the streets for a decade. Now Jesús’ life is full of rules. His struggle doesn't make sense if he is not free to make his own decisions. After years depending on social services he leaves the programme with all of the risks this decision entails. Elena, coordinator of the supervised accommodation, is writing her thesis on the reincorporation of homeless people. When Jesús leaves, her research takes a turn and she focuses her thesis on Jesús’ life story. Elena becomes his only emotional support.
The cutting down of a cherry tree becomes the starting point of an intimate dialogue about transgenerational trauma between a mother and a daughter. The line between the need for investigation and the desire for healing becomes blurry when a persistent camera depicts the felling of the tree. The short documentary is an attempt to find a shared language for the unspeakable consequences of child sexual abuse within my own family. Content warning: The film contains descriptions of experiences of sexual violence.
Inspired by a feminist science fiction story, the Spaniard Inés embarks on a journey of discovery through India. She is looking for Ladyland, the utopian land of women.
Taking inspiration from a feminist sci-fi short story written in Bengal in 1905, Inés sets out on a voyage of discovery around India in search of Ladyland, the utopian land of women.
Once German barracks, now accommodation for refugees: Ukrainian children practice a new language, explore strange rooms. A shimmering summer moment between leaving and arriving.
A former military barracks of the Wehrmacht now serves as a refugee camp for people from Ukraine.
waking up in silence accompanies the children on their journey, where their own history intertwines with that of the barracks. A moment between past and future, war and silence, departure and arrival, which paints a portrait of German past and present through the eyes of its young protagonists.
DOK Industry is realised with the support of Creative Europe MEDIA Programme of the European Union, the Mitteldeutsche Medienförderung (MDM) and the Federal Government Commissioner for Culture and the Media upon a Decision of the German Bundestag.