A ghost ride through Finnish TV archives of the 1960s grazes the moon landing, American TV shows, a war in Africa. But how to connect with the world when dancing is forbidden?!
The anonymous narrator is a kind of web-adventurous flâneuse, neurotic and endlessly curious. A disturbance in the proprioception, which is the ability to sense the position, movement and location of the body and its parts, makes her perceive the world in a new way. Seemingly random anecdotes found on the internet and instructions from her cryptic physiotherapist start to come together in surprising ways. The found material forms a mosaic that reflects a world full of gazes, rules and technologies that separate us. Lines from the present and the distant past take our narrator to the 1960s, where medieval dance bans, televised wars, lost bones, space utopias and American TV stars collide. This film reflects how we can be and live in the world within ourselves and with each other. With those who are near and with those who are far. Along with all this, the film recommends dancing to everyone.
Anxious in Beirut is a personal diary that documents the events of the last two years in Lebanon – revolution, post-war, explosions, demonstrations. Living with constant anxiety, Zakaria, the film’s young director, narrates his own life while trying, on numerous occasions, to leave his country.
Danielle's raw-filmed diary and Moe's vibrant queer memory of living with a sexually transmitted infection, ignite a collaborative exploration of bodies, intimacy, and shame.
A Beirut rooftop conversation about living with sexually transmitted infections opens into a cinematic dialogue, as Danielle and Moe draw raw and vibrant images from their personal experiences. Danielle filmed herself in sober and melancholic images to grasp what is going on, while Moe plays with memories and sensations of a queer body “invaded” by a virus.
While they engage with five actresses and actors to embody the testimonies of individuals who also lived with STIs, “forbidden” stories begin to exist and enter a collaborative exploration of intimacy, bodies, stigma and shame.
In Burkina Faso, in the gold-digging site of Bantara, 16-year-old Rasmané descends more than 100 meters deep in artisanal mines to extract gold. Anxious about accidents, Rasmané makes his way in this world of fierce adults in the hope of one day becoming emancipated…
In a melancholy dialogue with her boyfriend and people she met by chance, the director tries to fathom the secret of love. A wistful and poetical journey to the Caspian Sea.
A filmmaker is searching for a place where she and her boyfriend first went on a date. On this little trip, she meets random people and asks them about love, memories, and the meaning of life. Meanwhile, the pollution of the Caspian Sea pulls her search for answers towards her inner questions about memories, feelings, and happiness.
The volcanic Island of Ascension sat smouldering and lifeless for a million years until it was “terraformed” by Victorian scientists into a tropical paradise. This is its story.
TerraForma is the story of the remote volcanic island of Ascension, which sat smouldering for a million years largely devoid of life, until its radical transformation through the process of “terraforming” into a tropical paradise.
But there is more to Ascension than meets the eye. The Victorian naturalists who transformed this island reshaped the ecology to fit the political and economic demands of their society – but only at the expense of what existed before. The new environment, seemingly a paradise, was in fact a mirage. A mirror image of their ambition, their empire, and their understanding of the world. And as such it was doomed to fail. Many believe that future plans to geoengineer our planet or terraform others would simply follow the same pattern.
With the help of experts in the fields of geoengineering, ecology, design, and philosophy, TerraForma explores the lessons we could learn from Ascension and what its story may mean for our planet, in a future where terraformed landscapes and human-engineered environments may come to warp our understanding of “nature” itself.
Tilka is an intimate portrait of five women navigating multiple crises in Lebanon: prolonged economic collapse, a global pandemic and the aftermath of the Beirut port blast. Najah, Tima, Rania, Fatima and Fida meet in March 2021 for an artist's residency in the mountains on the outskirts of Beirut, coming together to create an original piece of theatre. As the country grapples with the collapse, they weave together a story inspired by their experiences as women fighting against the odds for their rights.
DJ Vika is 84 and a star of Warsaw’s nightclubs. She refuses to grow old and sit at home. Instead, she wants to celebrate life, enjoy herself and music.
84-year-old Vika is a star of the Warsaw clubbing scene. A charismatic DJ and a colourful bird she surrounds herself with young people, repeating that age is just a number. But when her health suddenly begins to deteriorate, Vika can no longer deny the passing of time. Will she find meaning in sharing the joy of life with other seniors by encouraging them to live their lives to the fullest?
Vika! is a bittersweet portrait of a woman who intends to celebrate life to the very end, a true inspiration for both the silver generation and our future selves.
DOK Industry is realised with the support of Creative Europe MEDIA Programme of the European Union, the Mitteldeutsche Medienförderung (MDM) and the Federal Government Commissioner for Culture and the Media upon a Decision of the German Bundestag.