In heated, often hostile debates about homosexuality, trans and sex work, a young Armenian family tries to assert some kind of queer normality for themselves and others.
Carabina, a gay artist, transvestite, and ex-sex worker, is married to Hasmik, a heterosexual lawyer. They have just become parents and are facing a dilemma: Should they raise their child in Armenia, where 93% of the population is against homosexuality?
Rodica (40) and her children, Maria (14) and Patrick (18), struggle to find each other's coordinates in order to have a balanced family life. Blue is a film about love, fear, anxiety, and the emotions that emerge at their intersection.
Fanni, a rejected trans, seeks refuge in Laci’s hut. The solitary homeless man becomes a father figure to her and together, they confront her inner demons and the harsh rejection by society.
On the outskirts of Budapest, in the heart of the woods, hides a ramshackle little hut. Inside, two social outcasts have formed the unlikeliest of bonds. Fanni, a 19-year-old transgender teenager, and Laci, a 60-year-old homeless man support each other in a makeshift family as father and daughter through hardship and change. Set on the margins of Hungarian society, life is tough but it is theirs. Let your conventions be challenged in this coming-of-age documentary about home, family and acceptance.
In Burkina Faso, in the gold-digging site of Bantara, 16-year-old Rasmané descends more than 100 meters deep in artisanal mines to extract gold. Anxious about accidents, Rasmané makes his way in this world of fierce adults in the hope of one day becoming emancipated…
Driven by three larger-than-life heroines, Homelessly in Love challenges conceptions of motherhood, womanhood and trauma on the margins of contemporary American society. Alyssa, Michelle, Lorraine and Cynthia, a homeless singer-songwriter whose voice envelops the film, have all suffered from institutional, intimate or domestic abuse. Over the course of four years, they overcome their past and harness the filmmaking process to elaborate their own star-making narratives.
After the coup in Uruguay in 1973, thousands of intellectuals and artists fled the country. My father was among them and left for Europe. After his passing three years ago, I came upon some Super 8 movies and audio recordings he had made. Through this archive, I started building a new family story trying to reveal and understand the silent pain of his exile and the fierce will to be a family despite the estrangement.
There is Portugal, there is the Portuguese language and there is a Ukrainian filmmaker who learns the language and approaches the role of the potential migrant. There is also a play of words: zangar and o zangāo. How is it possible to express such an empowering emotion like anger in the fragile attempts of a beginner? The video essay is woven from the filmmaker's narration, language classes, personal videos and archival images from Kyiv – revealing the split reality of anyone who is finding a safe place abroad while longing for home, which is under the constant danger of war.
A filmmaker goes on a journey of a lifetime: after receiving his grandfather's WWII diary, he decides to follow in the footsteps of the Soviet army and discover today's reality.
An extraordinary document leads Hakob Melkonyan to undertake the journey of a lifetime: after receiving his grandfather's WWII diary, the Armenian filmmaker decides to follow in the footsteps of the Soviet army and discover today's reality in those territories. The War Diary is a road movie through four countries: Armenia, Georgia, Russia, and Ukraine. It confronts the history of the Second World War with today's reality in these former Soviet republics. Having become independent after the fall of the USSR, they are now torn apart by numerous deadly conflicts in Armenia, Georgia, and Ukraine.
The War Diary is a very personal quest but also sheds light on the geopolitical context of these countries that once fought side by side. Today, however, with the invasion of Ukraine, it has become an essential project.
DOK Industry is realised with the support of Creative Europe MEDIA Programme of the European Union, the Mitteldeutsche Medienförderung (MDM) and the Federal Government Commissioner for Culture and the Media upon a Decision of the German Bundestag.