A box of film material from Tito-era Yugoslavia becomes a narrative engine. With dry wit and philosophical verve, this essay burrows through family and contemporary history.
The sixties and the seventies of the 20th century in our former country, a country that ceased to be. A young family moves from a rural environment to a small Slovenian town, where factories are being built and the need for a workforce is increasing. The brothers are growing up in that shaky but magical in-between, soaked in the everyday rhythms of the community, infused with the ideology of the time. Then, it happens: the sudden spectrum of film; the mystique of time itself.
A group of friends leave Moscow after the Russian attack on Ukraine. They find a temporary exile on a Turkish island. Intelligent reflections on home and belonging.
After the beginning of the war in Ukraine, a group of friends decide to leave Russia and settle on an island in the Marmara sea near Istanbul. The film, starting at this point as a kind of travelogue, gradually evolves into a meditation on home and exile.
The director, a stateless Filipino, returns to his native country. For more than twenty years, he lived without papers in the USA and feels trapped in a world full of borders.
A poetic essay film through the lens of an undocumented immigrant becoming disillusioned by their future in the United States and deciding to return to an estranged homeland. Nowhere Near tracks down the origin of a family curse backtracking through the post 9/11 era, the US occupation of the Philippines and the spiritual conquest of the Spanish empire. The film is a years-long diary towards understanding the causes of migration to the United States, though ultimately this odyssey deviates far from the expected course.
A tale about the loves and dreams of Reema, a transgender woman in Pakistan.
The film starts in the cinema – the only place where a man can see women on screen. But in sharp contrast to Lollywood is the world in which Reema can subsist as a transgender woman in Pakistan – the Well of Death. A carnival sideshow, where motorcyclists perform stunts and Reema dances to attract consumers. It's the life of a nomad, each town and each show revealing the beauties and complexities of Pakistani society. Reema is convinced to have found the love of her life, Asif. They work together and support each other. It's a utopia that is shattered when Reema suddenly loses Asif. Heartbroken, Reema travels back to her “Guru”, who runs the transgender safe house where she grew up...
DOK Industry is realised with the support of Creative Europe MEDIA Programme of the European Union, the Mitteldeutsche Medienförderung (MDM) and the Federal Government Commissioner for Culture and the Media upon a Decision of the German Bundestag.