What if from one day to the next, you’re no longer seen but instead, you're stared at? The leading characters in All You See have ended up in a new world where suddenly nothing seems to align. In their new lives in the Netherlands, they unintentionally provoke reactions on a daily basis. Even after many years, they still hear the same questions over and over again: Where are you from? Do you speak Dutch? Do you tan in the sun?
Truck driver Abu Husain spends endless hours in Qatar in a self-contained world of standing, waiting, and tenaciously moving trucks on the fringes of society.
Truck driver Abu Husain, like many guest workers in Qatar, spends endless hours in a self-contained world of standing, waiting, and tenaciously moving trucks on the fringes of society.
In Burkina Faso, in the gold-digging site of Bantara, 16-year-old Rasmané descends more than 100 meters deep in artisanal mines to extract gold. Anxious about accidents, Rasmané makes his way in this world of fierce adults in the hope of one day becoming emancipated…
Tricky Disco traces various forms of spatial and cultural appropriation. The film unmasks the attempted appropriation of the techno and house movement as a “German cultural asset”.
Tricky Disco traces various forms of spatial and cultural appropriation, initially following the traces in the author's biography.
The film focuses on (self-)empowerment through participation in the techno subculture of the late nineties. However, the emancipatory and political potential of this subculture is countered by another dimension in the course of the narrative: using photogrammetric images and analogue video footage, the work draws parallels in the urban development of Berlin and Frankfurt. It unmasks the attempted appropriation of the techno and house movement as a “German cultural asset” and depicts how efforts are made to monetise it through hasty musealisation.
DOK Industry is realised with the support of Creative Europe MEDIA Programme of the European Union, the Mitteldeutsche Medienförderung (MDM) and the Federal Government Commissioner for Culture and the Media upon a Decision of the German Bundestag.