A bicycle accident causes a crack in the protective shell Alice has grown to be able to bear the oppressive confinement of her daily life. Can she finally dance her way out?
Alice is 27 years old today. Even though she is suffocating a bit, she still lives with her parents and tends to dwell on her dreams to escape her dreary everyday life. After a psychedelic party on a factory roof, she has a serious drunken bike accident. Will this give her the courage to become an adult?
Every summer, Paul’s family has a picnic on a small island that can be reached via a causeway at low tide. This year the tide takes them by surprise and they are forced to spend the night.
The eternal “August 15 Picnic” on Callot Island. But this year, Paul, his family and their friends find themselves trapped by the tide. Paul, upset and stuck between the world of adults and that of children, becomes aware of his individuality.
Tomorrow, Tomorrow, Tomorrow is a deeply personal film about what it means to look at and document, and the unforeseen consequences of a well-meant, but unprepared intervention.
Tomorrow, Tomorrow, Tomorrow starts where most films about homeless kids end – the day after they are taken in. We assume it's a happy ending but what really happens next? This film tackles the emotional and ethical challenges that arise when a determined, idealistic and thoroughly unprepared American cinematographer decides to support three Mongolian orphans. Told over the span of six years, Tomorrow, Tomorrow, Tomorrow is a deeply personal film and an honest portrait of how storytellers and their characters impact each other. The filmmaker and central character, Martina, grapples with what it means to intervene in a meaningful way. Ultimately, she has to ask herself who is helping whom.
The film addresses the messiness of love and belonging and the universal experience of parent-child relationships – while at the same time, Martina questions the power imbalance and accountability that arise when we look at and document.
DOK Industry is realised with the support of Creative Europe MEDIA Programme of the European Union, the Mitteldeutsche Medienförderung (MDM) and the Federal Government Commissioner for Culture and the Media upon a Decision of the German Bundestag.