A ghost ride through Finnish TV archives of the 1960s grazes the moon landing, American TV shows, a war in Africa. But how to connect with the world when dancing is forbidden?!
The anonymous narrator is a kind of web-adventurous flâneuse, neurotic and endlessly curious. A disturbance in the proprioception, which is the ability to sense the position, movement and location of the body and its parts, makes her perceive the world in a new way. Seemingly random anecdotes found on the internet and instructions from her cryptic physiotherapist start to come together in surprising ways. The found material forms a mosaic that reflects a world full of gazes, rules and technologies that separate us. Lines from the present and the distant past take our narrator to the 1960s, where medieval dance bans, televised wars, lost bones, space utopias and American TV stars collide. This film reflects how we can be and live in the world within ourselves and with each other. With those who are near and with those who are far. Along with all this, the film recommends dancing to everyone.
While buying an apartment, a pair of siblings meet a woman who looks exactly like their dead sister. An intriguing true crime story unfolds bit by bit.
A divine premonition leads two sisters to buy an apartment in the small Swedish town of Gullspång. To their surprise, the seller looks identical to their older sister who committed suicide 30 years earlier. What begins as an eerie story of family reunification soon becomes a Pandora's Box as all three women's lives spiral out of control.
Amid the dunes of the Sahara, a Jaima, the traditional Saharawi tent. A woman, through the
tea ritual, takes us into the past and present of her people, persecuted and driven out of their
land. She offers us three teas: the first, bitter as life; the second, sweet as love; the third,
mild as death. The light of the desert is reflected on the Saharawi people, their life made up
of essentials and their struggle to endure.
A storm of queer norm-busting archive images. The creative arrangement is as sensual as the material, including purple colour explosions and a jazz music leitmotif.
Between birth and death, is the power to love and live. Political rules, religious orders, social norms and cultural taboos control who we love and how we love. The right to love is controlled and regulated by how we live. But the erotic has the power to emancipate. With spoken word and archive sources, love is unboxed from categories in queer expression and a celebration of eros as the power to change our attitudes to life and to allow others to live their lives without judgment or prejudice.
A consensual union becomes a brutal assimilation that ends in death and a new beginning. Powerfully moving colours and fascinating sounds transport irritating emotions.
In this film, two individuals with strong personalities are ultimately driven to ruin by selfish possessiveness. But in the end, their death, and their rebirth after corruption is just a part of this continuum called natural life, no matter whether their behaviours should be morally criticised or introspected by us.
DOK Industry is realised with the support of Creative Europe MEDIA Programme of the European Union, the Mitteldeutsche Medienförderung (MDM) and the Federal Government Commissioner for Culture and the Media upon a Decision of the German Bundestag.