A refugee camp built in Egypt in 1944 becomes the social model for Tito’s Yugoslavia. Archive material and contemporary witnesses tell a lived social-utopian origin story.
Frozen and starved people on boats in the Mediterranean Sea, fleeing from war. Scenes we are used to seeing in the news. But it's 1944, and refugees are travelling to Africa. Thirty thousand Dalmatians fled from the Nazis to live in tents in the Egyptian desert – making a utopian communist “model village”. This is a story about them.
Tyrano and Brachi want to play tennis. The match doesn’t quite work out because Brachi keeps falling over. Tyrano tries everything so that Brachi doesn’t hurt himself.
Tyrano, who was playing tennis alone, meets Brachi. They try to play tennis together, but Brachi keeps falling while attempting to hit the ball. Tyrano tries everything he can to prevent Brachi from getting hurt. But the more Tyrano struggles, the less interested Brachi is in playing tennis. Will they be a good partner to each other?
In the countryside of Estonia, humans and all other living beings compose an orchestra in which everyone has their place in co-creation of the humble rhythm of earth.
In nature, everything is in balance. Everyone has their task in the neverending circle of life – plants and mushrooms, insects and animals... This diverse orchestra always finds its rhythm and tone. Recognising the distinctiveness of being human, this film looks at our possibilities to co-exist within that co-creation of nature peacefully. After nearly seven years of exploring the periphery countryside of Estonia, this oneiric journey filmed on 16mm brings to the foreground the daily rhythms of ordinary people and animals in different ages and phases of their lives. It composes an analogue gospel of a microcosm, which has consciously or unconsciously rejected the central, arrogant doctrine of human exceptionality.
Universe Department Store existed in Cheonho-dong, Seoul in the 1980s. There was a spaceship ride in front that unfolded a vast universe for me when I rode it. The universe I saw at the time merged with places in my childhood and would appear in my dreams as strange shapes. What is the source of these strange dreams that make sudden visits even to this day? In order to solve this lingering question, I began to dig into my memories of the Universe Department Store and the places from my childhood.
DOK Industry is realised with the support of Creative Europe MEDIA Programme of the European Union, the Mitteldeutsche Medienförderung (MDM) and the Federal Government Commissioner for Culture and the Media upon a Decision of the German Bundestag.