Mariella lives in Berlin with her family of seven. Her father was trained in kung fu martial arts at the Chinese Shaolin monastery. Today he runs the Berlin-Schöneberg kung fu school and prepares her and her sisters for the next tournament. This has been part of Mariella’s life for many years. But the nervousness before each competition never really gets better.
In a northern German attic: boxes of pinned butterflies, carefully hand-coloured photographs of the local flora and fauna, hundreds of stuffed and dusty birds – Jürgen Friedrich Mahrt (1882–1940) did a great job. His collections echo a present that doesn’t exist anymore. And yet all signs of an ecological crisis can be found buried in them.
Accompanying Liselotte Schließer, who worked full time as a technical draughtswoman, in her private and professional daily life. She talks about the passion that became her second mission in life. The only woman in organised amateur filmmaking for many years and now head of the amateur filmmakers’ association of Radebeul, she still misses female directors and camera people.
Railway slewing cranes by TAKRAF in global use: salvaging derailed trains, assembling bridges, moving goods. The company, now operating again under the name “Kirow” and based in Leipzig-Lindenau, has been able to maintain its standing on the global market until the present day. Constantly improved operating comfort and increased maximum loads represent 100 years of the art of engineering.
“See you next year!” a Portuguese fire warden says as he dismantles his control equipment at the end of the season. Humans and nature in southern Europe may be used to forest fires, but that does not change the facts: The ever more massive conflagrations are caused by climate change. We have long been living in the age of fire.
In the Portuguese interior, a forest fire has just devastated a large area. Wounded nature is silent, not a single bird is heard, only the wind that makes the charred tree trunks rustle. But the vegetation recovers astonishingly fast. Where all life seemed to be gone, greenery soon sprouts from the ruined trees. The residents of the affected region are engaged in the reconstruction with great respect for their natural environment. Because plants, too, are sentient creatures. In quiet, almost melancholic, but also hopeful images, the film pays tribute to the strength of the trees and illustrates how essential it would be for humanity to learn to live in harmony with nature again.
What will future urban environments look like? And how are they designed when they are inspired by the imagination of children? 250 children used their imagination to envision the city of tomorrow. On this basis, the VR experience designs walk-through scenarios. The work is part of an ongoing interdisciplinary collaboration to develop new concepts for changing societies.
Unusually elaborate in terms of cinematography and dramaturgy, the film illustrates the dangers of careless children playing on railway premises. It’s only logical that this leads to a recommendation to make do with the less dangerous model trains. Quite a number of film and television careers began at the “Iskra” pioneer film studio, headed for many years by the lower grade and handicrafts teacher Rolf Kießling.
In 1923, the Dutch erected a radio station on Puntang Mountain on Java deploying indigenous forced labourers. 2,000 metres of wire between two mountain ridges were meant to transmit news from what was then the Dutch East Indies across the 12,000 kilometres to Europe. A speculative and poetic examination of the remains of Radio Malabar – in the earth, in the mountain, in dreams of geoengineering, in local history.
Barcelona, 1991. Juanjo has to repeat the last school year. His new teacher seats him in the last row next to Miquel, who is not exactly happy about this. The two have to write an essay together on the same afternoon. A disagreeable task that is gradually forgotten as they discover that they share a great passion: music!
Juanjo comes from sheltered circumstances, his family pamper him. Miquel is the son of a single mother who could hardly manage to take care of his two siblings without his support. Heavy Metal becomes the refuge and central node of their friendship. Screeching guitars and screamed vocals – with a few remarkable exceptions – are the soundtrack of this exciting but warm-hearted and gentle story that allows a glimpse into the souls of two teenage boys. The film’s visual design is consistently pared down – to the point of leaving out whole sections of the background and character portrayal. The directors’ poignant use of distinctive striking visual elements takes us ingeniously into the world of the two friends. A wonderful journey into a time of changes, insights and growth.
The gaze follows a line of trees and tries to visually order near and distant branches. A jumble of lines sketchily leaves behind what is and sketchily captures what can be assembled from the remnants of perception. Hand-drawn lines conquer the third dimension with digital crackling. A pylon waves its tentacles.
A series of tuba thefts that occurred ten years ago at Californian schools is the starting point of a multilayered and entertaining reflection about sounds and music, how they are represented in images and described in words. The artist Alison O’Daniel tells the story from the perspective of Deaf people; her film resembles a musical composition that varies its material in several movements.
In one sequence we hear the swelling drone of a passenger plane flying at low altitude over a residential area and gradually drowning out the sounds of the wind before we first see its shadow glide over the houses and at last the source of the noise. The subtitles, an integral part of this film, not only describe the sounds in amazing precision but also quantify their acoustic pressure in decibels.
Alternating between passages with and without sound motivates us to be more differentiated, focused, targeted in our perception. The film revolves around the motifs of hearing, sounds, noise pollution more than around the narrative of the mysteriously vanished tubas, more even than around the impressive protagonist Nyeisha “Nyke” Prince who plays a Deaf drummer in “The Tuba Thieves.” The tuba thefts are first and foremost a metaphor: What does the lack of a specific sound do to our perception?
After 62 years of marriage Aïcha Soualem is on her own again. Mabrouk, whom she has left, is nevertheless supplied by her daily with food and sugar cubes. Director Lina Soualem is interested in the relationship between her grandparents, who, as the last remaining Algerians in Thiers, France, look back on an eventful past. An empathic investigation all the way back to their native village of Laaouamer which leaves room for ambiguous emotions.
A Nazi propaganda film that survived only in fragments and never got to “test” its effect. It took intensive research to identify the scattered remains, correct the title in circulation, “Der Führer schenkt den Juden eine Stadt” (The Führer Gives a City to the Jews), and clarify who was able to see the roughly 90-minute attempted defraud at all before it disappeared. The intended international audience was no longer within reach in 1944/1945. But would they have been convinced by the retirement home for “resettled” Jews staged here? Kurt Gerron, film and theatre celebrity, interned in the Ghetto and conscripted as co-director, was deported to Auschwitz and gassed as late as 1944.
How are we shaped by our DNA? The 360° film tells the story of fictional scientist Roderick Norman, who tries to extract dreams from an unidentified skeleton that are inscribed in the blueprint of this ruin of a body. This black and white collage of text, 3D images and traditional film footage questions our conventional understanding of gender and identity.
Authentic and symbolic descendants of the Canadian Indigenous community lead us to a place where past and present intertwine. Two Indigenous men reveal their disturbing physical experiences with systemic racism. Their reports break taboos. And they implore us to carry the knowledge, grief and anger into the world like raging buffalos! Join up!
Our heroine’s previous film was invited to multiple festivals and awarded a number of prizes. Maybe the success went to her head a little. She was so busy working that she spent four years without a single day off. Now she sits in her parents’ garage and works on her graduation film. Its heroine is the animation film student Julita who is working on her graduation film. An affectionate film-in-film puppet animation with a surprising end.
