At the turn of 1968/69, the decision was taken to introduce a Leipzig City Express to “relieve inner city traffic as an attractive local passenger transport system”. A forward-looking measure of traffic policy which – at a time when the car-friendly city was still the dominant concept in urban planning – represented an appealing mobility option for the citizens of Leipzig.
A wall stands in a barren, inhospitable landscape, insurmountable. While the birds are flying unhindered through the air, a human being struggles in vain to open a door in the wall. First as a small child, then as an adult, finally as an old man. When the door at last unexpectedly gives way, it seems too late. A dark allegory by the Leipzig-based painter and graphic artist Rainer Schade.
Far removed from the officially propagated GDR cultural sector, Christine Schlegel created her very own energetic cosmos on 8mm stock between 1977 and 1986. She painted over or scratched lines and shapes on footage of the dancer Fine Kwiatkowski. She projected painted footage on the dancing body during live performances, enveloping and re-shaping it.
