It begins like a classic “girl meets boy” story: Faith, a charismatic accordion player from Great Britain, travels to Serbia to learn about Roma folk music. She meets the violinist Branko, who is instantly smitten. They quickly marry and form a band. But with musical success their love dwindles. A turbulent story of expectations, disappointments and the dream of happiness.

Faith enters into Branko’s life in an almost disturbingly casual way. She doesn’t seem to be bothered by the new country, the sceptical family and the cultural differences. Branko on the other hand adores his new wife and boldly enters a new world. They are a big hit as a duo – travelling around the world and playing bigger and bigger venues. But while Faith feels as happy as a lark, Branko seems like an uprooted tree. Instead of dealing with their differences they keep moving on rapidly, until one ruthless step follows the next. Catherine Harte has produced a captivating and very intimate portrait of this contradictory couple. Relentlessly close and yet compassionate, the film develops an impressive pull you don’t want to resist.

An old man and his granddaughter are sitting in a quiet square in the middle of the city. Suddenly he has a heart attack, falls to the ground – and time freezes. This could be the famous second where you see your life flash before your inner eye. But in which direction is it moving? Forward into the past, backward into the future or sideways into the now?

A naked body liquifies and becomes weightless. What’s left is its skin envelope which expands endlessly, longing for the tiniest touch. The increasingly shapeless figure vibrates in colours, fragments flashing, until the video track fails. The sensual piece by FKA twigs asks in slow motion what lust feels like. Jesse Kanda answers with enchanting computer-generated images.