The film follows Vilma on her last weekend in her hometown of Tornio, a small place in Lapland. She celebrates her graduation, has a great time with her family and friends in the lightheartedness of summer and says goodbye to her old life. Very soon she will be far away. Her new home is the big city of Helsinki, a ten-hour drive from Tornio.

The archived testimonies of “Breaking the Silence”, an association of military veterans, are to be turned into a compilation of “service incidents” in the Israeli-occupied territories. But Avi Mograbi confesses: “My films tend to get complicated, even when my intention is to make a very simple film.” His reaction to a complex doom is artistically and intellectually commensurate: complex. Once again he uses a built-in commentary function in which he himself, white-bearded, explains the tricky situation to his audience: not as a special “Israel-Palestine” case, but as the bitter standard application of the globally familiar aporetic model of “military occupation”.