Most accidents happen at home. That is where a jazz-loving drawn figure is unexpectedly re-confronted with a text by Bertolt Brecht that brings an appeal to their own political responsibility. Something at least must be done to avoid ending up on the wrong side. A trenchant, tidy contemplation that shows some understanding for human indecision.

A real-life tropical holiday resort becomes a stage where staff and guests play their roles in tableaux vivants. They hide their faces behind carved emoji masks that serve – in the digital world – to express emotions and rate things. The result is a superficial and at the same time subversive semi-reality of linguistic, social and cultural levels of (mis-)communication.