Dina Naser follows the three children’s fate and everyday life over an extended period of time, starting in 2014. The filmmaker even hands the camera temporarily over to her protagonists – for the time when she can’t be with them. This can and should be compared to the situation of Palestinian refugees in 1948, among them Dina Naser’s father, whose experiences are referenced by the director. This opens up a larger context for this story which is profoundly and universally human but at the same time linked closely to the complicated Syria and Middle East conflict by its wealth of detail.
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