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Competition for the Audience Award Short Film
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“Hello,” We Lied Laura Gamse
Fake news have entered the mainstream, thanks in part to “fake news king” Jestin Coler. A film that tackles journalism, memes, truth and lies in the U.S.
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“Hello,” We Lied

“Hello,” We Lied
Laura Gamse
Competition for the Audience Award Short Film
Documentary Film
USA
2020
12 minutes
English
subtitles: 
None
International Premiere

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Credits DOK Leipzig Logo
Laura Gamse
Daydream Reels
Mike Diva
Bernard Myburgh
Mike Diva
Steven O’Brien
Lostboyevsky
Sony Cleveland
Greg Sinibaldi
Jesse Canterbury
Laura Gamse

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Journalism in the U.S. is in crisis. Jestin Coler, also known as the “fake news king”, most likely contributed to this when headlines from his satirical web page were picked up and believed by the mainstream. Coler describes fake news as a gateway drug and, ironically, as an antidote at the same time. In her film, director Laura Gamse scrolls through news and memes and thereby impressively comments on the state of Western societies.

Kim Busch
More to watch
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Redistribution and Having a Say
State of the World
Genius Loci
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[Leipzig, Bahnhofsvorplatz] Stadtkabinett für Kulturarbeit Leipzig
The hectic atmosphere on the station forecourt hasn’t changed in all those years. Even in 1988, this inhospitable place was crossed at the quickest possible pace.
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[Leipzig, Bahnhofsvorplatz]

[Leipzig, Bahnhofsvorplatz]
Stadtkabinett für Kulturarbeit Leipzig
Genius Loci
Documentary Film
GDR
1988
3 minutes
without dialogue
subtitles: 
None
No Premiere

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In the Cinemas

Credits DOK Leipzig Logo
Stadtkabinett für Kulturarbeit Leipzig
Stadtkabinett für Kulturarbeit Leipzig
Konstantin Wiesinger
Sächsisches Staatsarchiv

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Sächsisches Staatsarchiv

Romantic train rides? Rapid cuts and pans show the profane, hectic everyday life of a big city that has no time for romance. The “last mile” to the place of actual departure is covered at a quick pace – by taxi, streetcar or bus. Serious, tired or withdrawn faces hurry to leave the inhospitable station forecourt behind.

Konstantin Wiesinger
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Regional
Re-Visions
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100 Jahre Kino Heinrich Sabl
A short and entertaining foray through 100 years of international cinema history: an animated man takes a walk that leads us from the magic cylinder into legendary film scenes.
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100 Jahre Kino

100 Jahre Kino
Heinrich Sabl
Re-Visions
Animated Film
Germany
1994
3 minutes
without dialogue
subtitles: 
None
No Premiere

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Credits DOK Leipzig Logo
Heinrich Sabl
Heinrich Sabl
Hans Moser
Heinrich Sabl
Sven Pannicke
Axel Behrens

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Axel Behrens

Cinema turned 100. With his homage Heinrich Sabl went one short step further back into the prehistory of cinematography for a run-up. Individual images are set in motion in a praxinoscope, invented by Émile Reynaud in 1877. A pedestrian seizes this illusion as an occasion to walk out of the magic cylinder through scenes from international film history.

Ralph Eue
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Witty
German Competition
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80.000 Schnitzel Hannah Schweier
Monika has a new dream: She fights tirelessly to preserve her grandmother’s ailing inn and farm. A family chronicle and a film about life goals.
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80.000 Schnitzel

80.000 Schnitzel
Hannah Schweier
German Competition
Documentary Film
Germany
2020
102 minutes
German
subtitles: 
English
German premiere

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In the Cinemas

27.10.2020
-
Hauptbahnhof Osthalle
80.000 Schnitzel
Free entry
27.10.2020
-
Hauptbahnhof Osthalle
Free entry
80.000 Schnitzel
28.10.2020
-
CineStar 2
80.000 Schnitzel
28.10.2020
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CineStar 2
80.000 Schnitzel
31.10.2020
-
Schaubühne Lindenfels
80.000 Schnitzel
31.10.2020
-
Schaubühne Lindenfels
80.000 Schnitzel

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Credits DOK Leipzig Logo
Hannah Schweier
Stefan Sporbert
Stefanie Reinhard
Romy Steyer
Johannes Kunz
Ella Zwietnig
Hannah Schweier
Stefan Sporbert

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Grandma Berta’s beloved “Zollhaus” is on the verge of ruin. She has dedicated her whole life to this inn and farm. Now her granddaughter Monika, the filmmaker’s sister, is to take over the heavily indebted family farm in the Upper Palatinate. What makes Monika decide to give up her previous plans and move to the countryside to live with her grandmother? The director decides to follow her sister for one year during this apparent labour of Sisyphus.

Monika puts all her energy into the ailing farm and is constantly confronted with its history: Grandma Berta’s schnitzel was legendary. But only the jukebox is left of the merry evenings in a packed inn. Berta had to bury her husband, two of her sons and a grandson. She is not a woman of tender words and unsparingly direct, which soon leads to conflict. The director at first watches her indefatigable sister in stunned disbelief. But gradually she understands that Monika has found a new dream in the “Zollhaus”. This enables her to offer an intimate insight into the chronicle of a family. The film confronts us with the universal question when it is the right time to live one’s dreams and how quickly this time may pass.
Annina Wettstein
Nominated for Goethe-Institut Documentary Film Prize, DEFA Sponsoring Prize, VER.DI Prize for Solidarity, Humanity and Fairness, Gedanken Aufschluss Prize
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Intervening Nature
Redistribution and Having a Say
Family Ties
Rural vs. Urban
Small Worlds, Big People
Re-Visions
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Achilles Barry Purves
Trench warfare around Troy, the heroes are well-known. This adaptation of a classical myth, inspired by antique designs, dares to show explicit images for adults.
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Achilles

Achilles
Barry Purves
Re-Visions
Animated Film
UK
1995
11 minutes
English
subtitles: 
None
No Premiere

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Credits DOK Leipzig Logo
Barry Purves
Glenn Holberton
Channel Four
Bare Boards Productions
Barry Purves
Barry Purves
Leo Casserley
Nigel Hess
Barry Purves

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Barry Purves

The winner of the first golden “Animation Dove”: nine years of war between Greeks and Trojans have gone past. The impulsive Patroclus, comrade in arms and bed mate of the rather battle-weary Achilles, thinks that victory can be achieved by other means. The tragedy takes its course – just as it was passed down in the classical myths but supplemented by what they left unspoken.

Ralph Eue
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Poetry and Crossing Boundaries
International Competition Short Film
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Ain’t No Time for Women Sarra El Abed
A Tunisian ladies’ hairdressing salon becomes an arena for political debate during the presidential election campaign. Sharp blades and sharp remarks – wonderful!
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Ain’t No Time for Women

Y’a pas d’heure pour les femmes
Sarra El Abed
International Competition Short Film
Documentary Film
Canada
2020
19 minutes
Arabic,
French
subtitles: 
English
World premiere

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Credits DOK Leipzig Logo
Sarra El Abed
Isabelle Grignon-Francke
Pierre Brouillette-Hamelin
Pierre Brouillette-Hamelin
Catherine Lefebvre
Jordan Choinière
Ilyaa Ghafouri
Ilyaa Ghafouri

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Main Contact
Pierre Brouillette-Hamelin
festival@travellingdistribution.com

The hairdressing salon “Saïda” is a space where people speak openly, laugh and argue. The subject rarely is hair. In the run-up to the presidential elections in Tunisia the shop turns into a political arena where the women – young or old, conservative or with a modern outlook – indulge in discussions about the pros and cons of the candidates. Their clever and witty statements reflect a young democracy with all its rifts and fault lines.

Luc-Carolin Ziemann
More to watch
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Witty
Redistribution and Having a Say
State of the World
German Competition Short Film
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AIVA Veneta Androva
AIVA is an artist, animated by algorithms. But above all she is the soberingly limited male tech vision of what more diversity in the arts could look like.
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AIVA

AIVA
Veneta Androva
German Competition Short Film
Animated Film
Germany
2020
13 minutes
English
subtitles: 
English
World premiere

Screenings & Tickets DOK Leipzig Logo

In the Cinemas

28.10.2020
-
Schaubühne Lindenfels
Teil der Kompilation
28.10.2020
-
Schaubühne Lindenfels
Teil der Kompilation
29.10.2020
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Passage Kinos Wintergarten
Teil der Kompilation
29.10.2020
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Passage Kinos Wintergarten
Teil der Kompilation
31.10.2020
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Passage Kinos Astoria
Teil der Kompilation
31.10.2020
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Passage Kinos Astoria
Teil der Kompilation
31.10.2020
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CineStar 2
Teil der Kompilation
31.10.2020
-
CineStar 2
Teil der Kompilation
01.11.2020
-
CineStar 2
Teil der Kompilation
01.11.2020
-
CineStar 2
Teil der Kompilation

Online

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Available
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Available

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Credits DOK Leipzig Logo
Veneta Androva
Veneta Androva
Veneta Androva
Veneta Androva
Veneta Androva
Veneta Androva
Nadia D’Alò
Benedikt Frey
Vivienne Pettitt

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Veneta Androva
vandrova@gmail.com

AIVA is an artist, animated by algorithms. But above all she is the soberingly limited male tech vision of what more diversity in the arts could look like. In her paintings AIVA prefers the vertical, to some acclaim. A naive and cliché-ridden “art documentary” lets us participate in her work. Precisely observed, with sparse gestures and trenchant wit, Veneta Androva reflects a current status quo in her computer-animated future fiction.

André Eckardt
Nominated for mephisto 97.6 Audience Award
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Redistribution and Having a Say
State of the World
Witty
International Competition Short Film
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Alice’s Four Stories Myriam Jacob-Allard
Alice’s memories are the occasion for an ambiguous examination of the representation of traumatic events, with collective and individual representations of perception.
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Alice’s Four Stories

Les quatre récits d’Alice
Myriam Jacob-Allard
International Competition Short Film
Documentary Film
Canada
2019
5 minutes
French
subtitles: 
English
German premiere

Screenings & Tickets DOK Leipzig Logo

In the Cinemas

27.10.2020
-
Schaubühne Lindenfels
Teil der Kompilation
27.10.2020
-
Schaubühne Lindenfels
Teil der Kompilation
28.10.2020
-
CineStar 4
Teil der Kompilation
28.10.2020
-
CineStar 4
Teil der Kompilation
30.10.2020
-
Passage Kinos Wintergarten
Teil der Kompilation
30.10.2020
-
Passage Kinos Wintergarten
Teil der Kompilation

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Credits DOK Leipzig Logo
Myriam Jacob-Allard
Myriam Jacob-Allard
Myriam Jacob-Allard
Myriam Jacob-Allard
Myriam Jacob-Allard
Myriam Jacob-Allard
Bruno Bélanger
Claire Jacob
Myriam Jacob-Allard
Sylvain Cossette
Alice Gervais

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Main Contact
Myriam Jacob-Allard
myriamjacoballard@yahoo.ca

Trailer DOK Leipzig Logo

Testimony versus “prosthetic memory”: The director dubs the sound recordings of her grandmother, collected over a period of ten years, in which the old lady recaps her encounter with a tornado as a child, in front of a green screen. While the details of her memories change through repeated narration over time, the found footage from feature and disaster films, weather reports and landscape images suggests a mediatised participation in the events.

Borjana Gaković
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Family Ties
Witty
Poetry and Crossing Boundaries
Small Worlds, Big People
International Competition
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The Annotated Field Guide of Ulysses S. Grant Jim Finn
The American Civil War dissected: a distinctive 16mm film and animated war board games reveal a divided nation full of rebels.
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The Annotated Field Guide of Ulysses S. Grant

The Annotated Field Guide of Ulysses S. Grant
Jim Finn
International Competition
Documentary Film
USA
2020
61 minutes
English
subtitles: 
None
World premiere

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In the Cinemas

27.10.2020
-
CineStar 4
The Annotated Field Guide of Ulysses S. Grant
27.10.2020
-
CineStar 4
The Annotated Field Guide of Ulysses S. Grant
28.10.2020
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Grassimuseum
The Annotated Field Guide of Ulysses S. Grant
28.10.2020
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Grassimuseum
The Annotated Field Guide of Ulysses S. Grant
29.10.2020
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Cinémathèque Leipzig
The Annotated Field Guide of Ulysses S. Grant
29.10.2020
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Cinémathèque Leipzig
The Annotated Field Guide of Ulysses S. Grant

Online

27.10.2020
-
Live Stream

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27.10.2020
-
Live Stream

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Available

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Available
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on Demand

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Credits DOK Leipzig Logo
Jim Finn
Cat Mazza
Jim Finn
Jim Finn
Jim Finn
Jim Finn
Dean De Matteis
Jim Finn
Alexander Panos
Jesse Stiles
Colleen Burke

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Numerous films deal with the American Civil War, which raged between the northern Union States and the southern Confederate States from 1861 to 1865. One general who rose to become a war icon and the 18th president of the United States was Ulysses S. Grant. Director Jim Finn uses board games to reconstruct the battles and documents a divided nation full of rebellious factions.

“Bloody Pond” or “The Flaming Forest” are the names given to places below the Mason-Dixon Line where many cruel and confusing clashes took place within a few years. Today only cemeteries, memorial plaques, wax museums and obelisks bear witness to episodes of the war that was to be of such vital importance for the shape of the USA today. Jim Finn’s 16mm shots are a detailed inspection of various stations to which he adds macabre anecdotes and trenchant descriptions. Statesmen, ideologists and warlords haunt the forests, ruins and riverbanks here – like the incidences of light which make the footage light up time and again. There is beauty in these images, in the trickling synthesizer melodies, too, or in the stop motion animations of complicated board games. This beauty has little in common with the dark underpinning of this conflict: deep-seated racism and an adamant belief in the right to own slaves.
Carolin Weidner
Nominated for Prize of the Interreligious Jury, FIPRESCI Prize
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State of the World
Poetry and Crossing Boundaries
Rural vs. Urban
German Competition Short Film
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Appropriation Takes You on a Weird Ride Nina Fischer, Maroan el Sani
A media-historical interrogation of the German fascination with the colonialist construct of “Red Indians” which leads right up to its instrumentalization by the “New Right”.
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Appropriation Takes You on a Weird Ride

Appropriation Takes You on a Weird Ride
Nina Fischer, Maroan el Sani
German Competition Short Film
Documentary Film
Germany
2020
20 minutes
German
subtitles: 
English
World premiere

Screenings & Tickets DOK Leipzig Logo

In the Cinemas

29.10.2020
-
Grassimuseum
Teil der Kompilation
29.10.2020
-
Grassimuseum
Teil der Kompilation
31.10.2020
-
CineStar 2
Teil der Kompilation
31.10.2020
-
CineStar 2
Teil der Kompilation
01.11.2020
-
CineStar 2
Teil der Kompilation
01.11.2020
-
CineStar 2
Teil der Kompilation

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Credits DOK Leipzig Logo
Nina Fischer
Maroan el Sani
Nina Fischer
Maroan el Sani
Edith Russ Haus for Media Art
Hannes Hoelzl
Britt Tully
Christoph Bach
Moritz Hossli
Jochen Jezussek
Nina Fischer
Bruno Gola
Maroan el Sani
Kathrin Hunze
Maroan el Sani
Nina Fischer
Matthias Biber
Nina Fischer

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Nina Fischer
ninafischer@thing.org

Partly rhetorical, partly ironic and partly profound, the film deals with the Germans’ strange, three-hundred-year-old relationship to their stereotypical ideas of America’s native population. This includes the question of how the audience themselves feel about this ominous object of fascination. The backdrop and starting point of a floating journey through the history of various stereotypes are the ruins of the former U.S. embassy in East Berlin, where an exhibition on the subject took place in 1986.

Borjana Gaković
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Poetry and Crossing Boundaries
Redistribution and Having a Say
State of the World
Competition for the Audience Award
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Areum Married Areum Parkkang
Areum Parkkang is now married and presents part two of her autobiographical film project. Private life as the subject of a film in which all battles are fought out in the open.
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Areum Married

Parkkangareum gyeolhonhada
Areum Parkkang
Competition for the Audience Award
Documentary Film
South Korea
2019
86 minutes
English,
French,
Korean
subtitles: 
English
German premiere

Screenings & Tickets DOK Leipzig Logo

In the Cinemas

29.10.2020
-
Passage Kinos Astoria
Areum Married
29.10.2020
-
Passage Kinos Astoria
Areum Married
30.10.2020
-
Schaubühne Lindenfels
Areum Married
30.10.2020
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Schaubühne Lindenfels
Areum Married
01.11.2020
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Passage Kinos Wintergarten
Areum Married
01.11.2020
-
Passage Kinos Wintergarten
Areum Married

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Credits DOK Leipzig Logo
Areum Parkkang
Moonkyung Kim
Areum Parkkang
Seong Heo
Areum Parkkang
Moonkyung Kim
Areum Parkkang
Areum Parkkang
Nayoon Lim
Lang Lee
De_bong
Areum Parkkang

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Areum Parkkang
areumfilm@gmail.com

Trailer DOK Leipzig Logo

A few years after her marriage to Seongman, Areum decides to go to France to study and finally make the kind of films that are not possible in Korea. Seongman, however, has nothing to do in France and, as he doesn’t understand French, is sliding into depression. A joint project is to help against homesickness. They open the one-table restaurant “Oegil” to provide South Korean expats with culinary memories of home.

Of course, this means that Areum has no time left for filmmaking. When she gets pregnant, massive chaos is looming. After the birth she finally focuses on her studies and Seongman takes over as house husband – a role that overwhelms him so much that he goes on strike. In this challenging everyday life, she must assert herself as a woman, artist, mother and spouse. The feminist narrative determines the point of view from which Areum Parkkang, in this second part of her autobiographical film project, examines her own life, its comedy, tragedy and planning uncertainty. The tone is charming throughout, and the energy of her reflective self-observation is infectious. Areum lets us participate head-on in her back and forth as an independent filmmaker between festival pitchings, homesickness and the baby change unit.
Lina Dinkla
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Redistribution and Having a Say
Witty
Family Ties
Love/Without Love
Small Worlds, Big People
Kids DOK
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Arshan – Der kleine Sopran Nora Ehrmann, Andre Hörmann
Arshan is ten years old and dreams of becoming an opera singer. When rehearsals for an opera production start in his town, he anxiously goes to the casting.
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Arshan – Der kleine Sopran

Arshan – Der kleine Sopran
Nora Ehrmann, Andre Hörmann
Kids DOK
Documentary Film
Germany
2019
25 minutes
German
subtitles: 
None
World premiere

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Credits DOK Leipzig Logo
Nora Ehrmann
Andre Hörmann
Heike Kunze
Fridolin Schöpper
Mikki Willis
Vincent Assmann
Mathias Ludwig
Nora Ehrmann

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Nora Ehrmann
ehrmann@telekult.de

Classical music is great, says ten-year-old Arshan. He lives with his family on a ranch in California, helps to feed the cows and does household chores. But he uses every spare minute to train his voice. Arshan’s big dream is to become an opera singer. When performers for an opera production are sought in town, he anxiously goes to the casting.

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Small Worlds, Big People
Family Ties