In heated, often hostile debates about homosexuality, trans and sex work, a young Armenian family tries to assert some kind of queer normality for themselves and others.
Carabina, a gay artist, transvestite, and ex-sex worker, is married to Hasmik, a heterosexual lawyer. They have just become parents and are facing a dilemma: Should they raise their child in Armenia, where 93% of the population is against homosexuality?
A box of film material from Tito-era Yugoslavia becomes a narrative engine. With dry wit and philosophical verve, this essay burrows through family and contemporary history.
The sixties and the seventies of the 20th century in our former country, a country that ceased to be. A young family moves from a rural environment to a small Slovenian town, where factories are being built and the need for a workforce is increasing. The brothers are growing up in that shaky but magical in-between, soaked in the everyday rhythms of the community, infused with the ideology of the time. Then, it happens: the sudden spectrum of film; the mystique of time itself.
Srećko, Mirza and Mejra are survivors of the 1995 Srebrenica massacre. Their fates are revealed in the contrast between innocent everyday moments today and archive images from that period.
Jesús arrives at a housing and employment reincorporation centre, after living on the streets for a decade. Now Jesús’ life is full of rules. His struggle doesn't make sense if he is not free to make his own decisions. After years depending on social services he leaves the programme with all of the risks this decision entails. Elena, coordinator of the supervised accommodation, is writing her thesis on the reincorporation of homeless people. When Jesús leaves, her research takes a turn and she focuses her thesis on Jesús’ life story. Elena becomes his only emotional support.
A filmmaker goes on a journey of a lifetime: after receiving his grandfather's WWII diary, he decides to follow in the footsteps of the Soviet army and discover today's reality.
An extraordinary document leads Hakob Melkonyan to undertake the journey of a lifetime: after receiving his grandfather's WWII diary, the Armenian filmmaker decides to follow in the footsteps of the Soviet army and discover today's reality in those territories. The War Diary is a road movie through four countries: Armenia, Georgia, Russia, and Ukraine. It confronts the history of the Second World War with today's reality in these former Soviet republics. Having become independent after the fall of the USSR, they are now torn apart by numerous deadly conflicts in Armenia, Georgia, and Ukraine.
The War Diary is a very personal quest but also sheds light on the geopolitical context of these countries that once fought side by side. Today, however, with the invasion of Ukraine, it has become an essential project.
DOK Industry is realised with the support of Creative Europe MEDIA Programme of the European Union, the Mitteldeutsche Medienförderung (MDM) and the Federal Government Commissioner for Culture and the Media upon a Decision of the German Bundestag.