Truck driver Abu Husain spends endless hours in Qatar in a self-contained world of standing, waiting, and tenaciously moving trucks on the fringes of society.
Truck driver Abu Husain, like many guest workers in Qatar, spends endless hours in a self-contained world of standing, waiting, and tenaciously moving trucks on the fringes of society.
This desktop video essay examines how the media illustrate the issue of abortion. Clicking through photo databases and magazines reveals the consequences of suggestive images.
What do abortions look like? What kind of images shape our view on them? And where do these images come from? The desktop video essay getty abortions examines how German and Austrian media illustrate the topic of abortion, browsing through stock photo databases, teen magazines and personal documents of a real abortion experience. It jumps from the early 2000s to the late 19th century, seeks out feminist knowledge and chats with fictional characters. But one question remains: Why does no one look into the camera?
While buying an apartment, a pair of siblings meet a woman who looks exactly like their dead sister. An intriguing true crime story unfolds bit by bit.
A divine premonition leads two sisters to buy an apartment in the small Swedish town of Gullspång. To their surprise, the seller looks identical to their older sister who committed suicide 30 years earlier. What begins as an eerie story of family reunification soon becomes a Pandora's Box as all three women's lives spiral out of control.
A consensual union becomes a brutal assimilation that ends in death and a new beginning. Powerfully moving colours and fascinating sounds transport irritating emotions.
In this film, two individuals with strong personalities are ultimately driven to ruin by selfish possessiveness. But in the end, their death, and their rebirth after corruption is just a part of this continuum called natural life, no matter whether their behaviours should be morally criticised or introspected by us.
DOK Industry is realised with the support of Creative Europe MEDIA Programme of the European Union, the Mitteldeutsche Medienförderung (MDM) and the Federal Government Commissioner for Culture and the Media upon a Decision of the German Bundestag.