A ghost ride through Finnish TV archives of the 1960s grazes the moon landing, American TV shows, a war in Africa. But how to connect with the world when dancing is forbidden?!
The anonymous narrator is a kind of web-adventurous flâneuse, neurotic and endlessly curious. A disturbance in the proprioception, which is the ability to sense the position, movement and location of the body and its parts, makes her perceive the world in a new way. Seemingly random anecdotes found on the internet and instructions from her cryptic physiotherapist start to come together in surprising ways. The found material forms a mosaic that reflects a world full of gazes, rules and technologies that separate us. Lines from the present and the distant past take our narrator to the 1960s, where medieval dance bans, televised wars, lost bones, space utopias and American TV stars collide. This film reflects how we can be and live in the world within ourselves and with each other. With those who are near and with those who are far. Along with all this, the film recommends dancing to everyone.
22 years after they established the women's organisation Machsom Watch, its founders reveal what really happened at the checkpoints between Israel and the West Bank.
22 years after they established the women's organisation Machsom Watch, its founders reveal what really happened at the checkpoints between Israel and the West Bank between 2002 and 2012. This is the story of a group of courageous women who dedicated their lives to safeguarding human rights and peace.
The film is built on 9 short stories of the women who participate in the film. Each one of them is adding a personal view of the daily routine of the checkpoint that together crate a very powerful and moving document.
A construction site in the Central African Republic, two career dreams: The double portrait of a native day labourer and a Chinese construction manager becomes a parable of globalisation.
Luan, a Chinese immigrant, is in Bangui, Central African Republic, facing his greatest professional challenge to date: he must oversee the construction of a bank headquarters that is expected to be inaugurated soon by the President of the nation himself. At the opposite end of the same labour chain, Thomas, a local, must dive into the river to get the sand that Luan needs for his building. Both share the same goal: to progress in their careers and give their families a better life. Meanwhile, the erratic and difficult lives of their families manifest themselves at a distance in various ways. Luan receives phone calls from his wife who, living thousands of kilometres away, is feeling abandoned and attempts to commit suicide; while Thomas' wife and girlfriend have both abandoned him, leaving him in charge of all his children. Eat Bitter fluidly and honestly articulates the daily life of both men, revealing the traces of the presence of the large Chinese community in the region, as well as the scars of a country devastated by the experience of a long civil war and poverty for which no one seems to have any answers.
5 Moroccan boys live in a cave at the lighthouse in Melilla and dream of Europe. Away from their mothers, longing for one ship that will transfer them illegally to a better life.
The Moroccan boys Imad (15), Nourdine (17), Walid (18), Hamza (17) and Aziz (20) live in a cave under the lighthouse in Melilla. Every night they break into the harbour trying to climb onto the ships leaving for the Spanish mainland. In the shadow of the rocks, they and a hundred other kids have created their own micro-society: “Lord of the Flies” in reality – with their own hierarchies, chants and rules. To pass the time, they phone their mothers on video or film themselves being chased by the police. The film follows the gang of boys for 5 years. From their life in the caves to their successful escape attempts to Spain. They call themselves: Harragas – those who burn the passports, the borders, their lives.
14-year-old Kiki is sentenced to juvenile prison for violence and drug offences. His sister convinces the authorities to give him one last chance: a therapeutic trip to the desert.
After being kicked out of every available youth-at-risk framework, and after facing criminal charges for drug trafficking and violence, Kiki is about to enter a youth prison by court order. Gal, his sister, manages to convince the authorities to give Kiki one last chance. Gal is a caregiver for youth-at-risk in a framework that takes youth on experiential, therapeutic field trips through the desert. Gal and her co-workers take Kiki on a field trip to the desert. She is determined to succeed where everyone else has failed. Will the journey enable Kiki to grow and to take responsibility for his own fate?
106 timepieces disappeared from Jerusalem's Museum of Islamic Art in the biggest art heist in Israel's history. 40 years later, the enigmatic thief's widow tells their story.
It all started with a watch, or more precisely, with over 106 rare European timepieces. One piece alone, made especially for the ill-fated French queen Marie Antoinette, was valued at a whopping $30 million. On a quiet Friday evening in 1983, the collection disappeared from Jerusalem's Museum of Islamic Art. It wasn't seen again for a quarter of a century. The biggest art theft in Israel's history left the police scratching their heads. When the timepieces gradually resurfaced a quarter of a century later, the enigmatic thief was dead. His widow, Nili Shamrat from LA, tells director Nili Tal their story for the first time among policemen, lawyers and curators.
In an attempt to understand the stamp of genius and logical madness of her stepfather, Michal goes on a journey with personal videos that explore America's most notorious criminals.
Michal opens a cardboard box, containing a rare private video tape archive of her conversations with some of the most psychopathic criminals in America – Charles Manson, Richard Ramirez, and others. What motivated her to enter this dark world?
We would find out that she is only trying to understand the abuse she herself suffered.
In an unusual and courageous way, Michal tries to get answers to questions she did not dare ask her father, Motke Kedar, a genius and a psychopath in his own right, who was involved in one of the most infamous scandals of the Israeli Mossad.
In 2010, a man was found dead in one of Israel's maximum security prisons. When the story broke, the suicide of this anonymous Mossad agent revealed the agency's failures.
On December 15, 2010, a prisoner was found dead in his cell at one of Israel's maximum security prisons. The prisoner had hung himself despite being under heavy surveillance 24/7. None of the prison's guards knew his real name or his crime. They knew him only as Prisoner X.
Ka.tzetnik lived a life of secrecy, becoming a myth. Rumours suggested that he wrote all night, donning his Auschwitz uniform and that he never left his house despite his books selling millions.
The film explores the writer's personal odyssey in coping with his trauma through the unconventional path of LSD.
DOK Industry is realised with the support of Creative Europe MEDIA Programme of the European Union, the Mitteldeutsche Medienförderung (MDM) and the Federal Government Commissioner for Culture and the Media upon a Decision of the German Bundestag.