Joan Tomàs Monfort, Carlos Pérez-Reche, Juanjo Sáez
Even Phil Collins cannot stop the development of a deep friendship between Juanjo and Miquel. The two teenage boys have bonded forever over Heavy Metal.
Joan Tomàs Monfort, Carlos Pérez-Reche, Juanjo Sáez
International Competition Animated Film
Animated Film
Spain
2023
80 minutes
Catalan
German premiere
Trailer
Synopsis
Juanjo is an asthmatic boy who has lived protected by his family to the point of drowning him. Miquel grows up in a family with an absent father. His mother tries to get on by herself, but she does not always succeed.
Tender Metalheads is a film about the relationship between Juanjo and Miquel, two teenage boys from Barcelona in 1991 who will take refuge from the grey world they live in in their friendship and heavy music.
Evolutionary biologist Toby Kiers takes us along on her epic quest to map the world's fungi networks and understand their behaviour before it's too late.
Beneath our feet lies a mystery. A complex underground network of mycorrhizal fungi keeps our ecosystem alive by exchanging nutrients and carbon with almost all plants on Earth. Remarkably, no one knows exactly how these sophisticated and ancient systems operate, or how they are affected by climate change.
The Underground Astronaut follows evolutionary biologist Toby Kiers, named one of the 2022 TIME100 Next Innovators, on her quest to map the world's fungi networks and understand their behaviour before it's too late. A fragrant and high-stakes journey into the soil. “No fungi, no future.”
The Underground Astronaut is part of Ammodo Docs, a series of short documentaries about original minds in arts and science.
Surrealist observations at the Italian Adriatic, where seasonal workers toil for the holidaymakers. An unvarnished look behind the façade of the “carefree” beach holiday.
Vista Mare is a poetic and surrealist documentary revealing the hidden labour behind “a holiday in the sun” in Italy's Northern Adriatic coastal resorts. Shot over an entire working season (February to October), it takes viewers on a journey through an artificial landscape built to amuse vacationers. Vista Mare's camera purposefully watches a multi-national army of seasonal labourers toiling from dawn to dusk. Workers test remote-controlled umbrellas, meticulously prepare meals, and most importantly, jolly the patrons into having a good time. Meanwhile, on the shoreline, thousands of guests paddle in the waves and enjoy carefully scheduled fun. Little wonder the demands of their jobs drive the workers to chant “Slaves? Never!” in a protest carefully overseen by the police. In an absurdist loop, Vista Mare watches the workers, who watch other workers play, until the sky turns cloudy, the beaches empty, and the last umbrella closes.
A filmmaker goes on a journey of a lifetime: after receiving his grandfather's WWII diary, he decides to follow in the footsteps of the Soviet army and discover today's reality.
An extraordinary document leads Hakob Melkonyan to undertake the journey of a lifetime: after receiving his grandfather's WWII diary, the Armenian filmmaker decides to follow in the footsteps of the Soviet army and discover today's reality in those territories. The War Diary is a road movie through four countries: Armenia, Georgia, Russia, and Ukraine. It confronts the history of the Second World War with today's reality in these former Soviet republics. Having become independent after the fall of the USSR, they are now torn apart by numerous deadly conflicts in Armenia, Georgia, and Ukraine.
The War Diary is a very personal quest but also sheds light on the geopolitical context of these countries that once fought side by side. Today, however, with the invasion of Ukraine, it has become an essential project.
Gone in search of stray and abandoned Spanish greyhounds in Almeria, I decided to deal with the theme of abandonment through a documentary focusing on the introspection of emotions linked to this trauma. Inspired by Leopardi's poem about resilience, I tried to bring together human and canine feelings in the experience of being abandoned by someone. The urge to make a documentary came after my first documentary last year. I wanted to try to give the project an aesthetic sense linked to fiction, to have two contrasting worlds in the film. The film is accompanied by a narrative voice, not a didactic one, in order to unite the reportage side with the photogenic and more experimental part.
DOK Industry is realised with the support of Creative Europe MEDIA Programme of the European Union, the Mitteldeutsche Medienförderung (MDM) and the Federal Government Commissioner for Culture and the Media upon a Decision of the German Bundestag.