Esteban, a Swiss entrepreneur, dreams of taking part in the 24 Hours of Le Mans. A dream he turns into reality, which results in him competing alongside professional drivers.
Esteban, a Swiss entrepreneur, dreams of taking part in the 24 Hours of Le Mans. A dream he turns into reality, which results in him competing alongside professional drivers. Laps follow each other endlessly among the exhilaration of these exceptional vehicles. Full Tank humorously immerses itself in this testosterone-driven microcosm, subtly highlighting the excesses of motorsport.
While buying an apartment, a pair of siblings meet a woman who looks exactly like their dead sister. An intriguing true crime story unfolds bit by bit.
A divine premonition leads two sisters to buy an apartment in the small Swedish town of Gullspång. To their surprise, the seller looks identical to their older sister who committed suicide 30 years earlier. What begins as an eerie story of family reunification soon becomes a Pandora's Box as all three women's lives spiral out of control.
The breasts are in place, the feathers are smoothed, off to the date! Her daughter does not comprehend the ritual of desire yet … Erotically crude, with pointed beaks in the conflicts.
A storm of queer norm-busting archive images. The creative arrangement is as sensual as the material, including purple colour explosions and a jazz music leitmotif.
Between birth and death, is the power to love and live. Political rules, religious orders, social norms and cultural taboos control who we love and how we love. The right to love is controlled and regulated by how we live. But the erotic has the power to emancipate. With spoken word and archive sources, love is unboxed from categories in queer expression and a celebration of eros as the power to change our attitudes to life and to allow others to live their lives without judgment or prejudice.
Tomorrow, Tomorrow, Tomorrow is a deeply personal film about what it means to look at and document, and the unforeseen consequences of a well-meant, but unprepared intervention.
Tomorrow, Tomorrow, Tomorrow starts where most films about homeless kids end – the day after they are taken in. We assume it's a happy ending but what really happens next? This film tackles the emotional and ethical challenges that arise when a determined, idealistic and thoroughly unprepared American cinematographer decides to support three Mongolian orphans. Told over the span of six years, Tomorrow, Tomorrow, Tomorrow is a deeply personal film and an honest portrait of how storytellers and their characters impact each other. The filmmaker and central character, Martina, grapples with what it means to intervene in a meaningful way. Ultimately, she has to ask herself who is helping whom.
The film addresses the messiness of love and belonging and the universal experience of parent-child relationships – while at the same time, Martina questions the power imbalance and accountability that arise when we look at and document.
DOK Industry is realised with the support of Creative Europe MEDIA Programme of the European Union, the Mitteldeutsche Medienförderung (MDM) and the Federal Government Commissioner for Culture and the Media upon a Decision of the German Bundestag.