A felicitous and at the same time almost unbearable cinematic experimental set-up that uses documentary means to show what the Belarusian reality behind the news items looks like. Based on eyewitness accounts, Pavel Mozhar re-stages Lukashenko’s perfidious and oppression-based power system. Violence in the shape of detailed reconstructions may seem abstract at first glance but drills itself into our consciousness all the more persistently in the course of the film.

Just hold your breath. Perhaps this helps as much against the pain of parting as the stinging nettles of one’s childhood. Sheila died of hay dust in her lungs and it seems as if the family farm died with the horse, too. After its sale, the laconic narrator pays digital visits via 3D online maps. But even the most detailed view says nothing about the grave of the three-legged farm cat. Using animation and image manipulation, he reclaims the remembered place.