Film Archive

Jahr

Filmstill Anhell69

Anhell69

Anhell69
Theo Montoya
International Competition 2022
Documentary Film
Colombia,
France,
Germany,
Romania
2022
75 minutes
Spanish
Subtitles: 
English

Theo Montoya draws on casting outtakes, melancholy observations of daily life and decadent party impressions from his friends to create a morbid and yet tender portrait of a young, queer generation in Colombia. In a country marked by violence and repression they can hardly imagine their future, but maintain a close, almost loving relationship with death.

This was meant to be a fiction film: a ghost story in which the dead no longer find cemetery space and consequently coexist with the living, including having sexual relationships – which the state rigorously forbids and persecutes. A clandestine nocturnal subculture emerges where erotic desires for which daylight means annihilation can be acted out. A week after Montoya found his leading actor for the project, the latter died of a heroin overdose. More deaths among his friends follow. They are the ghosts haunting the film that was ultimately made. It retains its dystopian character, but the dangers it portrays are quite real: For these young people, they are part of everyday life in Medellín, which is still deep in the shadow of Pablo Escobar and where the search for pleasure and human warmth takes one through labyrinthine abysses.
Carolin Weidner

Credits DOK Leipzig Logo

Director
Theo Montoya
Script
Theo Montoya
Cinematographer
Theo Montoya
Editor
Matthieu Taponier, Delia Oniga, Theo Montoya
Producer
Theo Montoya, Juan Pablo Castrillón, Bianca Oana, David Hurst
Co-Producer
Balthasar Busmann, Maximilian Haslberger
Sound
Eloisa Arcila Fernandez, Estephany Cano
Sound Design
Marius Leftărache, Victor Miu
Score
Vlad Feneșan, Marius Leftărache
Winner of: Golden Dove (International Competition)
Filmstill Under the Sun

Under the Sun

Documentary Film
Germany,
North Korea,
Russia,
Czech Republic
2015
110 minutes
Subtitles: 
English

Credits DOK Leipzig Logo

Producer
Natalya Manskaya, Simone Baumann, Filip Remunda
Director
Vitaly Mansky
Music
Kārlis Auzāns
Cinematographer
Alexandra Ivanova, Mikhail Gorobchuk
Editor
Andrej Paperny
Script
Vitaly Mansky
Sound
Evgeniya Lachina, Anrijs Krenbergs
North Korea wants to be the best of all possible worlds. Everything and everyone is taken care off. Pyongyang is a clean, modern metropolis. 8-year-old Zin-mi, who is at the centre of this film, takes us through the stations of a happy childhood: becoming a member of the pioneer organisation, brisk flag ceremonies, enough food and always a song in praise of the Great Leader Kim Jong-un on her lips.

Russian-Ukrainian director Vitaly Mansky got the official permission to document the ordinary life of the city and country for one year. He knows that he is being instrumentalised and simply turns the tables by exposing how the presentations and arrangements are fabricated. His official minder proves to be a real “co-director”. So it’s the apparent details and minor matters Mansky asks us to discover. They offer insights into a well-trained and dulled society. Though we feel like we’re in “1984”, Mansky has come neither as a voyeur nor as a cynic. His camera is looking for the human element behind the mask of the official bulletins: a yawn or a moment of insecurity in this land of the ever-rising sun.

Cornelia Klauß