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Filmstill Divine Factory

Divine Factory

Divine Factory
Joseph Mangat
International Competition 2022
Documentary Film
Philippines,
USA,
Taiwan
2022
120 minutes
Filipino
Subtitles: 
English

When the time “when St. Joseph came” is mentioned in this film, it doesn’t refer to a religious phenomenon, but to the most popular product of TML Holy Crafts Incorporated. In the factory on the Philippines, the country with the third-largest Catholic population in the world, the employees manufacture statues of saints under exploitative conditions. Joseph Mangat portrays this place with a focus on the workers, including some from the LGBTQI community.

In the first scene, a plaster bust is uncovered layer by layer. This image could also serve to describe the approach of “Divine Factory”: From the shop to the workshop, from the entrepreneur to the simple worker, from the production to the uses made of the religious articles, this film reveals the social and economic facets of this institution. The Filipino director not only observes precisely how people work and trade there, he also involves the participants in frank conversations about love, wages and living conditions. The employees’ profit-oriented payment model reveals how economical and religious ideas interlock. The success of the company in the city of Antipolo near Manila, desirable for all, thus appears as nothing short of a divine blessing.
Jan-Philipp Kohlmann

Credits DOK Leipzig Logo

Director
Joseph Mangat
Cinematographer
Albert Banzon
Editor
Ilsa Malsi, Joseph Mangat
Producer
Alemberg Ang, Stefano Centini
Sound
Duu-Chih Tu
World Sales
Lya Li
Nominated for: FIPRESCI Prize, Prize of the Interreligious Jury
Filmstill Under the Sun

Under the Sun

Documentary Film
Germany,
North Korea,
Russia,
Czech Republic
2015
110 minutes
Subtitles: 
English

Credits DOK Leipzig Logo

Producer
Natalya Manskaya, Simone Baumann, Filip Remunda
Director
Vitaly Mansky
Music
Kārlis Auzāns
Cinematographer
Alexandra Ivanova, Mikhail Gorobchuk
Editor
Andrej Paperny
Script
Vitaly Mansky
Sound
Evgeniya Lachina, Anrijs Krenbergs
North Korea wants to be the best of all possible worlds. Everything and everyone is taken care off. Pyongyang is a clean, modern metropolis. 8-year-old Zin-mi, who is at the centre of this film, takes us through the stations of a happy childhood: becoming a member of the pioneer organisation, brisk flag ceremonies, enough food and always a song in praise of the Great Leader Kim Jong-un on her lips.

Russian-Ukrainian director Vitaly Mansky got the official permission to document the ordinary life of the city and country for one year. He knows that he is being instrumentalised and simply turns the tables by exposing how the presentations and arrangements are fabricated. His official minder proves to be a real “co-director”. So it’s the apparent details and minor matters Mansky asks us to discover. They offer insights into a well-trained and dulled society. Though we feel like we’re in “1984”, Mansky has come neither as a voyeur nor as a cynic. His camera is looking for the human element behind the mask of the official bulletins: a yawn or a moment of insecurity in this land of the ever-rising sun.

Cornelia Klauß