Because his single mother criticised the state, Alex was sent to a special children’s home at the age of eleven, in order to shape him – like almost 500,000 children in the GDR – into a “socialist personality”. He escaped and ended up as a punishment at the Torgau Closed Juvenile Detention Centre, more prison than social institution. His life was now dominated by military drill and violence … Reduced rotoscope images follow Alex’s memories and show how the trauma affects him even today.

At the beginning Michelle Bastien-Archer shows and comments on photos of her wedding. The African-American and her childhood friend Jermaine were married in the unhospitable visitors’ hall of Sing Sing in 2007. He had been sentenced to 22 years to life for voluntary manslaughter in 1998. Ever since, she has been fighting tirelessly to prove his innocence. Now new documents have turned up that reinforce doubts about the trial’s decisive witness statement. Michelle becomes more confident. She presses even more determinedly ahead with her efforts to get Jermaine released. The camera is with her as if live, for almost a decade.

It feels like a thriller whose script was written by life and the U.S. American justice system. Daily life under exceptional circumstances, scenes from an unusual marriage. Timed phone calls from prison, countless visits to the lawyer, appearances at solidarity events for wrongly convicted African Americans. Michelle works as a house painter for the City of New York, raising her two children alone. We learn in passing that their biological father was the victim of a brutal crime. The portrait of a confident woman who shares her fears and hopes with us emerges.

Yasin El Harrouk is Yonii is actor, rapper, singer, Swabian, Moroccan. This portrait presents him as a lively shifter between life and creative cultures, between the roles he plays in the studio and in front of the camera, and the expectations that family and community have of him. Yonii has two languages and even more worlds – and enjoys this wealth. But on the sofa in his mother’s Stuttgart living room, it becomes clear that this range of different worlds also means a constant balancing act.