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Leipzig Cycle 2015
Archivbild: Demonstrierende in einem Demo-Zug
Leipzig im Herbst Gerd Kroske, Andreas Voigt, Sebastian Richter

The events of 9 October 1989, the “miracle of Leipzig”, filmed and reflected directly from the participants’ perspective. The document of reunification par excellence.

Archivbild: Demonstrierende in einem Demo-Zug

Leipzig im Herbst

Documentary Film
GDR
1989
51 minutes
Subtitles: 
No

Credits DOK Leipzig Logo

Producer
DEFA-Studio für Dokumentarfilme
Director
Gerd Kroske, Andreas Voigt, Sebastian Richter
Cinematographer
Sebastian Richter
Editor
Manuela Bothe, Karin Schöning
Script
Gerd Kroske, Andreas Voigt
Voigt, Kroske and Richter were among the first filmmakers who documented the events of the historic 9th of October 1989. Their “material” reflects them from different angles: protesters, workers, opposition members, policemen, street sweepers and functionaries. THE document of the “peaceful revolution”.

Grit Lemke
Media Name: 21155_3.jpg

Stress

Documentary Film
Germany,
USA
2018
83 minutes
Subtitles: 
German

Credits DOK Leipzig Logo

Producer
Florian Baron, Herbert Burkert
Director
Florian Baron
Music
Yunas Orchestra, Jana Irmert, Fatima Camara
Cinematographer
Johannes Waltermann
Editor
Clemens Walter
Script
Florian Baron
Sound
Jana Irmert, Linus Nickl, Nils Vogel-Bartling
The trauma of 9/11, the ideology of violent retribution, military service as a patriotic family tradition, the “unfairness” of today’s warfare – in their voice-overs, five young Afghanistan war veterans first establish familiar foundations. Joe, Torrie, Mike, James and Justin from Pittsburgh are slow to show us their faces. Physically unharmed but full of inner pain they have become the misunderstood upon their return. Their violent experiences speak a language that the people at home don’t understand.

“Stress” finds an artistic approach that impressively emphasizes the spoken word with all its unmistakeable signals of emotions and produces a physical experience of the tension of a permanent state of alarm in all its complexity. An extremely slow camera and sound follow the verbal descriptions of war experiences with everyday scenes, like a somnambulistic nightmare, creating plastic almost-still lives where everything can be looked at from every side but still remains intangible. They reveal a life behind glass and in a leaden time that moves inexorably forward but allows no real progress. The coda of this intoxicating and oppressive composition reverberates for a long time: it’s Torrie’s conviction that ultimately the army is still a good place to grow up.

André Eckardt


Awarded with the DEFA Sponsoring Prize for an outstanding long German documentary film
Nominated for the Goethe-Institut Documentary Film Prize