On a light blue sheet of paper, a grid emerges which is immediately overgrown by an organic dark surface. Grid and surface seem to enter a symbiotic relationship and, merged into a whole, to try out a new shared form. Geometrical possibilities between two-dimensionality and depth, control and instability are acted out.
Shapes and sounds are entangled in a web that prevents free movement. Detached from this matrix, their connections are lost and they re-form in organic ways.
This film is part of the international “Happiness Machine” project that explores the idea of the “Economy for the Common Good” – a slogan created by Austrian activist Christian Felber. In “Hierarchy Glitch”, a web constrains the free movement of shapes and sounds. When the matrix dissolves, connection and direction are lost. But soon they re-form organically.
An experimental animation that plays with the enigmatic shapes and colours of lab-grown crystals. Enlarged, arranged, and supported by a soundtrack, they become art.
This experimental animation shows the enigmatic shapes and colours of cultured crystals. Their production, once an indispensable basic process of material science and research, has lost its scientific usefulness today. But the beauty of the resulting objects has no expiry date. Enlarged, sorted and arranged, the crystals become art.
A tactile film that brings us into contact with the textures of colours and materials, irritatingly sensual and strangely familiar. A journey through a female body?
Something pulls us into the deep. We plunge deeper and deeper into the centre of the image, into swelling liquids, through lakes of circling colours, through the cracks in the paper. A tactile film that brings us into contact with colour and material textures – irritatingly sensual and strangely familiar. The sound opens the horizon of interpretation: It is a journey across a female body.