In 1973, General Pinochet, with the support of the US secret service, staged a coup against the democratically elected Marxist-Socialist President of Chile, Salvador Allende. Pinochet’s military junta murdered and tortured their way across the country. Juan Forch, Santiago-born journalist and filmmaker, managed to escape the terror via Mexico to the GDR and continued his opposition work from here until his return in 1979: as a director at the DEFA Studio for Animation Film in Dresden. With silhouette film specialist Jörg Herrmann he realised this animated agitation miniature, in which the dictator and his allies dance to the caustic artist’s tune – and to organ music.

No images of value but “confused material.” For decades, footage secretly filmed in August 1968 in Prague was hidden in archives under this label. Evald Schorm recovered the illegal material and composed it to the beat of Tchaikovsky recordings, in keeping with its expressive nature. The film could finally be publicly shown in 1990.

An exercise on “colour” in Michael Ballhaus’s class at the DFFB in West Berlin went down in the history of cinema and subversion. In retrospect, this silent miniature became the harried document of a movement of departure that was to grow criminal powers. It was shot on 18 January 1968, five years after JFK’s statement of bloc affiliation, “Ich bin ein Berliner,” just before the murder of Benno Ohnesorg, a few months before the assassination attempt on Rudi Dutschke. Director-in-training Gerd Conradt and fourteen fellow students and friends organised a relay race to the Schöneberg town hall to raise the red flag there. The final leg was run by cinematography student Holger Meins, who was to become a terrorist with the Red Army Faction and starved himself to death in Wittlich prison in 1974.