Call Me Tony
Just like Klaudiusz Chrostowski, who frames him with no fear of poses, makes abrupt cuts and by this blows Konrad up to big screen format. When his look over the shoulder after the competition meets the camera, when the bronze makeup runs from his muscles under the shower or when he stands in front of the coffee machine in his leather jacket we see larger-than-life images that Konrad knows how to fill, despite everything.
Nominated for Young Eyes Film Award, MDR Film Prize
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