None of Your Business
Today his songs are popular standards in the region. And catchy melancholy tunes which, in archive footage of Ebram himself and street sets of contemporary performers, become the vibrant framework of Kamran Heidari’s film. Added to this are restagings of individual stations of his life. And the artist as a spirit whose emerging, almost pathological obsession with femininity can also be read as a comment on the worldview of the never explicitly mentioned Islamic Revolution. Thus the film is more a parable than a biography, but also the portrait of a fascinating, vibrant city.
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